Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

As regards wit and the power of exciting pity, the two most powerful instruments where the feelings are concerned, we have the advantage. Again, it is possible

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that Demosthenes was deprived by national custom [*](cp. xvi. 4; vi i 7 Quintilian refers to an alleged law at Athens forbidding appeals to the emotion. ) of the opportunity of producing powerful perorations, but against this may be set the fact that the different character of the Latin language debars us from the attainment of those qualities which are so much admired by the adherents of the Attic school. As regards their letters, which have in both cases survived, and dialogues, which Demosthenes never attempted, there can be no comparison between the two.

But, on the other hand, there is one point in which the Greek has the undoubted superiority: he comes first in point of time, and it was largely due to him that Cicero was able to attain greatness. For it seems to me that Cicero, who devoted himself heart and soul to the imitation of the Greeks, succeeded in reproducing the force of Demosthenes, the copious flow of Plato, and the charm of Isocrates.

But he did something more than reproduce the best elements in each of these authors by dint of careful study; it was to himself that he owed most of, or rather all his excellences, which spring from the extraordinary fertility of his immortal genius. For he does not, as Pindar [*](The quotation is not found in Pindar's extant works.) says,

collect the rain from heaven, but wells forth with living water,
since Providence at his birth conferred this special privilege upon him, that eloquence should make trial of all her powers in him.

For who can instruct with greater thoroughness, or more deeply stir the emotions? Who has ever possessed such a gift of charm? He seems to obtain as a boon what in reality he extorts by force, and when he wrests the judge from the path of his own judgment, the latter seems not to be swept away, but merely to follow.

Further, there is such weight in all that he

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says that his audience feel ashamed to disagree with him, and the zeal of the advocate is so transfigured that it has the effect of the sworn evidence of a witness, or the verdict of a judge. And at the same time all these excellences, of which scarce one could be attained by the ordinary man even by the most concentrated effort, flow from him with every appearance of spontaneity, and his style, although no fairer has ever fallen on the ears of men, none the less displays the utmost felicity and ease.

It was not, therefore, without good reason that his own contemporaries spoke of his

sovereignty
at the bar, and that for posterity the name of Cicero has come to be regarded not as the name of a man, but as the name of eloquence itself. Let us, therefore, fix our eyes on him, take him as our pattern, and let the student realise that he has made real progress if he is a passionate admirer of Cicero.

Asinius Pollio [*]( Asinius Pollio (75 B.C.—A.D. 4), the friend of Virgil, distinguished as poet, historian and orator. ) had great gifts of invention and great precision of language (indeed, some think him too precise), while his judgment and spirit were fully adequate. But he is so far from equalling the polish and charm of Cicero that he might have been born a generation before him. Messala, [*]( M. Valerius Corvinus (64 B.C.—A.D. 8), the friend of Tibullus and distinguished as an orator. ) on the other hand, is polished and transparent and displays his nobility in his utterance, but he fails to do his powers full justice.

As for Gaius Caesar, if he had had leisure to devote himself to the courts, he would have been the one orator who could have been considered a serious rival to Cicero. Such are his force, his penetration and his energy that we realise that he was as vigorous in speech as in his conduct of war. And yet all these qualities are enhanced by a marvellous elegance of language, of which he was an exceptionally zealous

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student.

Caelius [*]( M. Rufus Caelius, defended by Cicero in the pro Catlio. Killed in 48 B.C. Cp. IV. ii. 123.: VII. i. 53. ) has much natural talent and much wit, more especially when speaking for the prosecution, and deserved a wiser mind and a longer life. I have come across some critics who preferred Calvus [*]( Calvus ((Gaius Licinius), a distinguish poet and. with Brutus, the leading orator of the Attic School. He died at the age of 34 in 48 B.C. ) to all other orators, and others again who agreed with Cicero that too severe self-criticism had robbed him of his natural vigour. But he was the possessor of a solemn, weighty and chastened style, which was also capable at times of genuine vehemence. He was an adherent of the Attic school and an untimely death deprived him of his full meed of honour, at least if we regard him as likely to have acquired fresh qualities.

Servius Sulpicius [*]( Servius Sulpicius Rufus, the greatest jurist of the Ciecronian age. ) acquired a great and well-deserved reputation by his three speeches. Cassius Severus, [*]( assius Severus ( d. A.D. 34) banished by Augustus on account of his scurrilous lampoons. ) if read with discrimination, will provide much that is worthy of imitation: if to his other merits he had added appropriateness of tone and dignity of style,

he would deserve a place among the greatest. For his natural talents are great, his gift of bitterness, wit and passion remarkable, but he allowed the sharpness of his temper to prevail over his judgment. Moreover, though his jests are pungent enough, this very pungency often turned the laugh against himself.

There are many other clever speakers, but it would be a long task to deal with them all. Domitius Afer [*]( Domitius Afer ( d. 59 A.D.), the leading orator of the reigns of Tiberius and his successors. ) and Julius Africanus [*]( Iulius Africanus, a Gaul, who flourished in the reign of Nero. ) are by far the most distinguished. The former is superior in art and in every department of oratory, indeed he may he ranked with the old orators without fear of

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contradiction. The latter shows greater energy, but is too great a precisian in the choice of words, prone to tediously long periods and somewhat extravagant in his metaphors. There have been distinguished talents even of more recent date.

For example, Trachalus [*]( M. Galerius Trachalus (cos. (18 A.D.) Cp XII v. 5 ) was, as a rule, elevated and sufficiently clear in his language: one realised that his aims were high, but he was better to listen to than to read. For his voice was, in my experience, unique in its beauty of tone, while his delivery would have done credit to an actor, his action was full of grace and he possessed every external advantage in profusion. Vibius Crispus, [*]( Vibius Crispus, a delator under Nero, died about A.D. 90, after acquiring great wealth. Cp. Juv. iv. 81–93. ) again, was well-balanced, agreeable and born to charm, though he was better in private than in public cases.

Julius Secundus, [*]( Julius Secundus, a distinguished orator of the reign of Vespasian. One of the characters in the Dialogus of Tacitus. ) had he lived longer, would undoubtedly have attained a great and enduring reputation. For he would have acquired, as he was actually acquiring, all that was lacking to his qualities, namely, a far greater pugnacity and a closer attention to substance as well as form.

But, in spite of the untimeliness of his end, he occupies a high place, thanks to his fluency, the grace with which he set forth whatever he desired, the lucidity, smoothness and beauty of his speech, the propriety revealed in the use of words, even when employed figuratively, and the point which characterises even his most hazardous expressions.

Subsequent writers on the history of oratory will find abundant material for praise among the orators who flourish to-day: for the law courts can boast a glorious wealth of talent. Indeed, the consummate advocates of the present day are serious rivals of the ancients, while enthusiastic effort and lofty ideals lead many a young student

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to tread in their footsteps and imitate their excellence.

I have still to deal with writers on philosophy, of whom Rome has so far produced but few who are distinguished for their style. But Cicero, who is great in every department of literature, stands out as the rival of Plato in this department as well. Brutus [*]( Brutus, omitted from Qauintilian's list of orators, was a follower of the Stoic and Academic schools. He is known to have written treatises on Virtue, Duty and Patience. ) was an admirable writer on such themes, in which he distinguished himself far more than in his speeches: he is equal to the serious nature of his subject, and the reader realises that he feels what he says.

Cornelius Celsus, [*]( An encyclopedic writer under Augustus and Tiberius. His medical treatises have survived. He wrote on oratory also, and is not infrequently quoted by Quintilian. ) a follower of the Sextii, [*]( The Sextii, father and son, were Pythagorean philosophers of the Augustan age, with something of a Stoic tendency as well. ) wrote a number of philosophical works, which have considerable grace and polish. Among the Stoics Plautus [*](123) is useful as giving a knowledge of the subject.

Among the Epicureans Catius [*]( A contemporary of Cicero, who speaks of him somewhat contemptuously. He wrote four books de rerum matura et de summo bono. ) is agreeable to read, though lacking in weight. I have deliberately postponed the discussion of Seneca in connexion with the various departments of literature owing to the fact that there is a general, though false, impression that I condemn and even detest him. It is true that I had occasion to pass censure upon him when I was endeavouring to recall students from a depraved style, weakened by every kind of error, to a severer standard of taste.

But at that time Seneca's works were in the hands of every young man, and my aim was not to ban his reading altogether, but to prevent his being preferred to authors superior to himself, but whom he was never tired of disparaging; for, being conscious of the fact that his own style was very different

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from theirs, he was afraid that he would fail to please those who admired them. But the young men loved him rather than imitated him, and fell as far below him as he fell below the ancients.