On Architecture

Vitruvius Pollio

Vitruvius Pollio, creator; Morgan, M. H. (Morris Hicky), 1859-1910, translator

4. This may be seen from the balances that we call steelyards. When the handle is set as a centre close to the end from which the scale hangs, and the counterpoise is moved along towards the other arm of the beam, shifting from point to point as it goes farther or even reaches the extremity, a small and inferior weight becomes equal to a very heavy object that is being weighed, on account of the equilibrium that is due to the levelling of the beam. Thus, as it withdraws from the centre, a small and comparatively light counterpoise, slowly turning the scale, makes a greater amount of weight rise gently upwards from below.

5. So, too, the pilot of the biggest merchantman, grasping the steering oar by its handle, which the Greeks call o)/iac, and with one hand bringing it to the turning point, according to the rules of his art, by pressure about a centre, can turn the ship, although she may be laden with a very large or even enormous burden of merchandise and provisions. And when her sails are set only halfway up the mast, a ship cannot run quickly; but when the yard is hoisted to the top, she makes much quicker progress, because then the sails get the wind, not when they are

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too close to the heel of the mast, which represents the centre, but when they have moved farther away from it to the top.