Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

There is also another simile in the same speech, [*](Pro Mur. xvii. 36. ) which is almost worthy of a poet, but in virtue of its reciprocal representation is better adapted for ornament:

For as tempests are generally preceded by some premonitory signs in the heaven, but often, on the other hand, break forth for some obscure reason without any warning whatsoever, so in the tempests which sway the people at our Roman elections we are not seldom in a position to discern their origin, and yet, on the other hand, it is frequently so obscure that the storm seems to have burst without any apparent cause.

We find also shorter similes, such as

Wandering like wild beasts through the woods,
or the passage from Cicero's speech against Clodius: [*](Now lost.)
He fled from the court like a man escaping naked from a fire.
Similar examples from everyday speech will occur to everyone. Such comparisons reveal the gift not merely of placing a thing vividly before the eye, but of doing so with rapidity and without waste of detail.

The praise awarded to perfect brevity is well-deserved; but, on the other hand, brachylogy, which I shall deal with when I come to speak of figures, that is to say, the brevity that says nothing more than what is absolutely necessary, is less effective, although it may be employed with admirable results when it expresses a great deal in a very few words, as in Sallust's description of Mithridates as

huge of stature, and armed to match.
But unsuccessful attempts to imitate this form of terseness result merely in obscurity.