Metamorphoses

Ovid

Ovid. Metamorphoses. More, Brookes, translator. Boston: Cornhill Publishing Co., 1922.

Such was the grove
by Orpheus drawn together; and he sat
surrounded by assembled animals,
and many strange Birds. When he tried the chords
by touching with his thumb, and was convinced
the notes were all in harmony, although
attuned to various melody, he raised
his voice and sang:
“Oh my loved mother, Muse,
from Jove inspire my song—for all things yield,
to the unequalled sway of Jove—oh, I
have sung so often Jupiter's great power
before this day, and in a wilder strain,
I've sung the giants and victorious bolts
hurled on Phlegraean plains. But now I need
the gentler touch; for I would sing of boys,
the favorites of Gods, and even of maids
who had to pay the penalty of wrong.”
The king of all the Gods once burned with love
for Ganymede of Phrygia. He found
a shape more pleasing even than his own.
Jove would not take the form of any bird,
except the eagle's, able to sustain
the weight of his own thunderbolts. Without
delay, Jove on fictitious eagle wings,
stole and flew off with that loved Trojan boy:
who even to this day, against the will
of Juno, mingles nectar in the cups
of his protector, mighty Jupiter.
You also, Hyacinthus, would have been
set in the sky! if Phoebus had been given
time which the cruel fates denied for you.
But in a way you are immortal too.
Though you have died. Always when warm spring
drives winter out, and Aries (the Ram)
succeeds to Pisces (watery Fish), you rise
and blossom on the green turf. And the love
my father had for you was deeper than he felt
for others. Delphi center of the world,
had no presiding guardian, while the God
frequented the Eurotas and the land
of Sparta, never fortified with walls.
His zither and his bow no longer fill
his eager mind and now without a thought
of dignity, he carried nets and held
the dogs in leash, and did not hesitate
to go with Hyacinthus on the rough,
steep mountain ridges; and by all of such
associations, his love was increased.
Now Titan was about midway, betwixt
the coming and the banished night, and stood
at equal distance from those two extremes.
Then, when the youth and Phoebus were well stripped,
and gleaming with rich olive oil, they tried
a friendly contest with the discus. First
Phoebus, well-poised, sent it awhirl through air,
and cleft the clouds beyond with its broad weight;
from which at length it fell down to the earth,
a certain evidence of strength and skill.
Heedless of danger Hyacinthus rushed
for eager glory of the game, resolved
to get the discus. But it bounded back
from off the hard earth, and struck full against
your face, O Hyacinthus! Deadly pale
the God's face went — as pallid as the boy's.
With care he lifted the sad huddled form.
The kind god tries to warm you back to life,
and next endeavors to attend your wound,
and stay your parting soul with healing herbs.
His skill is no advantage, for the wound
is past all art of cure. As if someone,
when in a garden, breaks off violets,
poppies, or lilies hung from golden stems,
then drooping they must hang their withered heads,
and gaze down towards the earth beneath them; so,
the dying boy's face droops, and his bent neck,
a burden to itself, falls back upon
his shoulder: “You are fallen in your prime
defrauded of your youth, O Hyacinthus!”
Moaned Apollo. “I can see in your sad wound
my own guilt, and you are my cause of grief
and self-reproach. My own hand gave you death
unmerited — I only can be charged
with your destruction.—What have I done wrong?
Can it be called a fault to play with you?
Should loving you be called a fault? And oh,
that I might now give up my life for you!
Or die with you! But since our destinies
prevent us you shall always be with me,
and you shall dwell upon my care-filled lips.
The lyre struck by my hand, and my true songs
will always celebrate you. A new flower
you shall arise, with markings on your petals,
close imitation of my constant moans:
and there shall come another to be linked
with this new flower, a valiant hero shall
be known by the same marks upon its petals.”
And while Phoebus, Apollo, sang these words
with his truth-telling lips, behold the blood
of Hyacinthus, which had poured out on
the ground beside him and there stained the grass,
was changed from blood; and in its place a flower,
more beautiful than Tyrian dye, sprang up.
It almost seemed a lily, were it not
that one was purple and the other white.
But Phoebus was not satisfied with this.
For it was he who worked the miracle
of his sad words inscribed on flower leaves.
These letters AI, AI, are inscribed
on them. And Sparta certainly is proud
to honor Hyacinthus as her son;
and his loved fame endures; and every year
they celebrate his solemn festival.

If you should ask Amathus, which is rich
in metals, how can she rejoice and take
a pride in deeds of her Propoetides;
she would disclaim it and repudiate
them all, as well as those of transformed men,
whose foreheads were deformed by two rough horns,
from which their name Cerastae. By their gates
an altar unto Jove stood. If by chance
a stranger, not informed of their dark crimes,
had seen the horrid altar smeared with blood,
he would suppose that suckling calves and sheep
of Amathus, were sacrificed thereon—
it was in fact the blood of slaughtered guests!
Kind-hearted Venus, outraged by such deeds
of sacrifice, was ready to desert
her cities and her snake-infested plains;
“But how,” said she, “have their delightful lands
together with my well built cities sinned?
What crime have they done?—Those inhabitants
should pay the penalty of their own crimes
by exile or by death; or it may be
a middle course, between exile and death;
and what can that be, but the punishment
of a changed form?” And while she hesitates,
in various thoughts of what form they should take,
her eyes by chance, observed their horns,
and that decided her; such horns could well
be on them after any change occurred,
and she transformed their big and brutal bodies
to savage bulls.
But even after that,
the obscene Propoetides dared to deny
divinity of Venus, for which fault,
(and it is common fame) they were the first
to criminate their bodies, through the wrath
of Venus; and so blushing shame was lost,
white blood, in their bad faces grew so fast,
so hard, it was no wonder they were turned
with small change into hard and lifeless stones.

Pygmalion saw these women waste their lives
in wretched shame, and critical of faults
which nature had so deeply planted through
their female hearts, he lived in preference,
for many years unmarried.—But while he
was single, with consummate skill, he carved
a statue out of snow-white ivory,
and gave to it exquisite beauty, which
no woman of the world has ever equalled:
she was so beautiful, he fell in love
with his creation. It appeared in truth
a perfect virgin with the grace of life,
but in the expression of such modesty
all motion was restrained—and so his art
concealed his art. Pygmalion gazed, inflamed
with love and admiration for the form,
in semblance of a woman, he had carved.
He lifts up both his hands to feel the work,
and wonders if it can be ivory,
because it seems to him more truly flesh. —
his mind refusing to conceive of it
as ivory, he kisses it and feels
his kisses are returned. And speaking love,
caresses it with loving hands that seem
to make an impress, on the parts they touch,
so real that he fears he then may bruise
her by his eager pressing. Softest tones
are used each time he speaks to her. He brings
to her such presents as are surely prized
by sweet girls; such as smooth round pebbles, shells,
and birds, and fragrant flowers of thousand tints,
lilies, and painted balls, and amber tears
of Heliads, which distill from far off trees.—
he drapes her in rich clothing and in gems:
rings on her fingers, a rich necklace round
her neck, pearl pendants on her graceful ears;
and golden ornaments adorn her breast.
All these are beautiful—and she appears
most lovable, if carefully attired,—
or perfect as a statue, unadorned.
He lays her on a bed luxurious, spread
with coverlets of Tyrian purple dye,
and naming her the consort of his couch,
lays her reclining head on the most soft
and downy pillows, trusting she could feel.
The festal day of Venus, known throughout
all Cyprus, now had come, and throngs were there
to celebrate. Heifers with spreading horns,
all gold-tipped, fell when given the stroke of death
upon their snow-white necks; and frankincense
was smoking on the altars. There, intent,
Pygmalion stood before an altar, when
his offering had been made; and although he
feared the result, he prayed: “If it is true,
O Gods, that you can give all things, I pray
to have as my wife—” but, he did not dare
to add “my ivory statue-maid,” and said,
“One like my ivory—.” Golden Venus heard,
for she was present at her festival,
and she knew clearly what the prayer had meant.
She gave a sign that her Divinity
favored his plea: three times the flame leaped high
and brightly in the air.
When he returned,
he went directly to his image-maid,
bent over her, and kissed her many times,
while she was on her couch; and as he kissed,
she seemed to gather some warmth from his lips.
Again he kissed her; and he felt her breast;
the ivory seemed to soften at the touch,
and its firm texture yielded to his hand,
as honey-wax of Mount Hymettus turns
to many shapes when handled in the sun,
and surely softens from each gentle touch.
He is amazed; but stands rejoicing in his doubt;
while fearful there is some mistake, again
and yet again, gives trial to his hopes
by touching with his hand. It must be flesh!
The veins pulsate beneath the careful test
of his directed finger. Then, indeed,
the astonished hero poured out lavish thanks
to Venus; pressing with his raptured lips
his statue's lips. Now real, true to life—
the maiden felt the kisses given to her,
and blushing, lifted up her timid eyes,
so that she saw the light and sky above,
as well as her rapt lover while he leaned
gazing beside her—and all this at once—
the goddess graced the marriage she had willed,
and when nine times a crescent moon had changed,
increasing to the full, the statue-bride
gave birth to her dear daughter Paphos. From
which famed event the island takes its name.