Metamorphoses

Ovid

Ovid. Metamorphoses. More, Brookes, translator. Boston: Cornhill Publishing Co., 1922.

  1. “Ah wretched me! ” her father cried;
  2. and as he clung around her horns and neck
  3. repeated while she groaned, “Ah wretched me!
  4. Art thou my daughter sought in every clime?
  5. When lost I could not grieve for thee as now
  6. that thou art found; thy sighs instead of words
  7. heave up from thy deep breast, thy longings give
  8. me answer. I prepared the nuptial torch
  9. and bridal chamber, in my ignorance,
  10. since my first hope was for a son in law;
  11. and then I dreamed of children from the match:
  12. but now the herd may furnish thee a mate,
  13. and all thy issue of the herd must be.
  14. Oh that a righteous death would end my grief!—
  15. it is a dreadful thing to be a God!
  16. Behold the lethal gate of death is shut
  17. against me, and my growing grief must last
  18. throughout eternity.”
  19. While thus he moaned
  20. came starry Argus there, and Io bore
  21. from her lamenting father. Thence he led
  22. his charge to other pastures; and removed
  23. from her, upon a lofty mountain sat,
  24. whence he could always watch her, undisturbed.
  25. The sovereign god no longer could endure
  26. to witness Io's woes. He called his son,
  27. whom Maia brightest of the Pleiades
  28. brought forth, and bade him slay the star eyed guard,
  29. argus. He seized his sleep compelling wand
  30. and fastened waving wings on his swift feet,
  31. and deftly fixed his brimmed hat on his head:—
  32. lo, Mercury, the favoured son of Jove,
  33. descending to the earth from heaven's plains,
  34. put off his cap and wings,— though still retained
  35. his wand with which he drove through pathless wilds
  36. some stray she goats, and as a shepherd fared,
  37. piping on oaten reeds melodious tunes.
  38. Argus, delighted with the charming sound
  39. of this new art began; “Whoever thou art,
  40. sit with me on this stone beneath the trees
  41. in cooling shade, whilst browse the tended flock
  42. abundant herbs; for thou canst see the shade
  43. is fit for shepherds.” Wherefore, Mercury
  44. sat down beside the keeper and conversed
  45. of various things—passing the laggard hours.—
  46. then soothly piped he on the joined reeds
  47. to lull those ever watchful eyes asleep;
  48. but Argus strove his languor to subdue,
  49. and though some drowsy eyes might slumber, still
  50. were some that vigil kept. Again he spoke,
  51. (for the pipes were yet a recent art)
  52. “I pray thee tell what chance discovered these.”
  53. To him the God, “ A famous Naiad dwelt
  54. among the Hamadryads, on the cold
  55. Arcadian summit Nonacris, whose name
  56. was Syrinx. Often she escaped the Gods,
  57. that wandered in the groves of sylvan shades,
  58. and often fled from Satyrs that pursued.
  59. Vowing virginity, in all pursuits
  60. she strove to emulate Diana's ways:
  61. and as that graceful goddess wears her robe,
  62. so Syrinx girded hers that one might well
  63. believe Diana there. Even though her bow
  64. were made of horn, Diana's wrought of gold,
  65. vet might she well deceive.
  66. “Now chanced it Pan.
  67. Whose head was girt with prickly pines, espied
  68. the Nymph returning from the Lycian Hill,
  69. and these words uttered he: ”—But Mercury
  70. refrained from further speech, and Pan's appeal
  71. remains untold. If he had told it all,
  72. the tale of Syrinx would have followed thus:—
  73. but she despised the prayers of Pan, and fled
  74. through pathless wilds until she had arrived
  75. the placid Ladon's sandy stream, whose waves
  76. prevented her escape. There she implored
  77. her sister Nymphs to change her form: and Pan,
  78. believing he had caught her, held instead
  79. some marsh reeds for the body of the Nymph;
  80. and while he sighed the moving winds began
  81. to utter plaintive music in the reeds,
  82. so sweet and voice like that poor Pan exclaimed;
  83. “Forever this discovery shall remain
  84. a sweet communion binding thee to me.”—
  85. and this explains why reeds of different length,
  86. when joined together by cementing wax,
  87. derive the name of Syrinx from the maid.