Noctes Atticae
Gellius, Aulus
Gellius, Aulus. The Attic Nights of Aulus Gellius. Rolfe, John C., translator. Cambridge, Mass.; London: Harvard University Press; William Heinemann, 1927 (printing).
A noteworthy story about the actor Polus. [*](On this famous tragic actor see O'Connor, Chapters in the History of Actors and Acting in Ancient Greece (Princeton dissertation, 1908), pp. 128 ff. He flourished toward the end of the fourth century B.C.)
THERE was in the land of Greece an actor of wide reputation, who excelled all others in his clear delivery and graceful action. They say that his name was Polus, and he often acted the tragedies of famous poets with intelligence and dignity. This Polus lost by death a son whom he dearly loved. After he felt that he had indulged his grief sufficiently, he returned to the practice of his profession.
At that time he was to act the Electra of Sophocles at Athens, and it was his part to carry an urn which was supposed to contain the ashes of Orestes. The plot of the play requires that Electra, who is
What Aristotle wrote of the congenital absence of some of the senses.
NATURE has given five senses to living beings; sight, hearing, taste, touch and smell, called by the Greeks ai)sqh/seis. Of these some animals lack one and some another, being born into the world blind, or without the sense of smell or hearing. But Aristotle asserts that no animal is born without the sense of taste or of touch.
His own words, from the book which he wrote On Memory, are as follows: [*](Peri\ (/Upnou or On Sleep, 2. Gellius is mistaken in his title.)
Except for some imperfect animals, all have taste or touch.