Noctes Atticae

Whom Marcus Cato calls classici or

belonging to a class,

and whom infra classem or

below class.

NOT all those men who were enrolled in the five classes [*](The five classes into which the Roman citizens were divided by the constitution attributed to Servius Tullius. The division was for military purposes and was made on the basis of a property qualification.) were called classici, but only the men of the first class, who were rated at a hundred and twenty-five thousand asses or more. But those of the second class and of all the other classes, who were rated at

a smaller sum than that which I just mentioned, were called infra classes. I have briefly noted this, because in connection with the speech of Marcus Cato In Support of the Voconian Law the question is often raised, what is meant by classicus and what by infra classem.

Of the three literary styles; and of the three philosophers who were sent as envoys by the Athenians to the senate at Rome.

BOTH in verse and in prose there are three approved styles, which the Greeks call xarakth=res and to which they have given the names of a(dro/s, i)sxno/s and me/sos. We also call the one which I put first

grand,

the second

plain,

and the third

middle.

The grand style possesses dignity and richness, the plain, grace and elegance; the middle lies on the border line and partakes of the qualities of both.

To each of these excellent styles there are related an equal number of faulty ones, arising from unsuccessful attempts to imitate their manner and character. Thus very often pompous and bombastic speakers lay claim to the grand style, the mean and bald to the plain, and the unclear and ambiguous to the middle. But true and genuine Latin examples of these styles are said by Marcus Varro [*](Fr. 80, Wilmanns.) to be: Pacuvius of the grand style, Lucilius of the plain, and Terence of the middle. But in early days these same three styles of speaking were exemplified in three men by Homer: the grand and rich in

Ulysses, the elegant and restrained in Menelaus, the middle and moderate in Nestor.

This threefold variety is also to be observed in the three philosophers whom the Athenians sent as envoys to the senate at Rome, to persuade the senators to remit the fine which they had imposed upon the Athenians because of the sack of Oropos; [*](The embassy was sent in 155 B.C. Plutarch, Cat. Mai. xxii. (L.C.L. ii., p. 369) says that the fine was five hundred talents.) and the fine amounted to nearly five hundred talents. The philosophers in question were Carneades of the Academy, Diogenes the Stoic, and Critolaus the Peripatetic. When they were admitted to the House, they made use of Gaius Acilius, one of the senators, as interpreter; but beforehand each one of them separately, for the purpose of exhibiting his eloquence, lectured to a large company. Rutilius [*](Fr. 3, Peter2.) and Polybius [*](xxxiii. 2, p. 1287, H.) declare that all three aroused admiration for their oratory, each in his own style.

Carneades,

they say,

spoke with a vehemence that carried you away, Critolaus with art and polish, Diogenes with restraint and sobriety.

Each of these styles, as I have said, is more brilliant when it is chastely and moderately adorned; when it is rouged and be powdered, it becomes mere jugglery.