Noctes Atticae

Whether Plato and Xenophon were rivals and not on good terms with each other.

THOSE who have written most carefully and thoroughly about the life and character of Xenophon and Plato have expressed the belief that they were not free from certain secret and concealed feelings of enmity and rivalry of each other, and they have set forth some conjectural evidence of this, drawn from their writings. These are in fact of this sort: that Plato in his great number of works nowhere makes mention of Xenophon, nor, on the other hand, does Xenophon mention Plato in his writings, although both men, and in particular Plato in the dialogues which he wrote, mention many followers of Socrates. This too they thought was an indication of no sincerely friendly feeling: that Xenophon in opposition to that celebrated work of Plato, which he wrote on the best form of constitution and of governing a city-state, having barely read the two books of Plato's work which were first made public, proposed a different mode of government (to wit, a monarchy) in the work entitled Paidei/as Ku/rou, or The Education of Cyrus. They say that Plato was so disturbed by that conduct and book of his, that having made mention of king Cyrus in one of his own books, in order to criticize and belittle Xenophon's work he said [*](De Legg. 12, p. 694, c.) that Cyrus was indeed a strong and active man, but

had by no means had a fitting education

; for these are Plato's words about Cyrus.

Moreover, they think that this also is added to

what I have already said: that Xenophon, in the book which he wrote as records of the sayings and doings of Socrates, [*](Memorabilia, i. l. ll.) asserts that Socrates never discussed the causes and laws of the heavens and of nature, and that he never touched upon or approved the other sciences, called by the Greeks maqh/mata which did not contribute to a good and happy life; accordingly, he says that those who have attributed discourses of that kind to Socrates are guilty of a base falsehood.

But when Xenophon wrote this,

they say,

The of course refers to Plato, in whose works Socrates discourses on physics, music and geometry.

But if anything of this kind was to be believed, or even suspected, in noble and dignified men, I do not believe that the motive was hostility or envy, or a contest for gaining greater glory; for such considerations are wholly alien to the character of philosophers, among whom those two were in all men's judgment pre-eminent. What then is the reason for that opinion? Undoubtedly this: the mere equality and likeness of kindred talents, even though the desire and inclination of contention be absent, nevertheless create an appearance of rivalry. For when two or more men of great intellectual gifts, who have gained distinction in the same pursuit, are of equal or nearly equal fame, then there arises among their various partisans emulation in expressing an estimate of their efforts and merit. Then later, from the contention of others, the contagion of rivalry spreads to the men themselves, and while they are pressing on to the same goal of honour, the race is so even, or almost even, [*](For ambiguus in this sense see Virg. Aen. v. 326.) that it comes imperceptibly under a suspicion of rivalry, not from any purpose of their own, but from the zeal of their partisans. [*](They were not rivals, but both equally eager to attain virtue. Thus they seen like competitors in a race, and as they run so that you can hardly tell which leads, their partisans insist on regarding them as rivals.) So then Xenophon and Plato, two stars of Socrates' charming philosophy, were believed to contend with and rival each other, because others strove to show that one or the other was the superior, and because two eminent characters, when they are labouring side by side for a lofty aim, beget a kind of appearance of rivalry and competition.

That Chrysippus skilfully and vividly represented the likeness of Justice in melodious and picturesque language.

MOST worthily, by Heaven! and most elegantly did Chrysippus, in the first book of his work entitled On Beauty and Pleasure, depict the face and eyes of Justice, and her aspect, with austere and noble word-painting. For he represents the figure of Justice, and says that it was usually represented by the painters and orators of old in about the following manner:

Of maidenly form and bearing, with a stern and fearsome countenance, a keen glance of the eye, and a dignity and solemnity which was neither mean nor cruel, but awe-inspiring.

From the spirit of this representation he wished it to be understood that the judge, who is the priest of Justice, ought to be dignified, holy, austere, incorruptible, not susceptible to flattery, pitiless and inexorable towards the wicked and guilty, vigorous, lofty, and powerful, terrible by reason of the force and majesty of equity and truth. Chrysippus' own words about Justice are as follows:

She has the title of virgin as a symbol of her purity and an indication that she has never given way to evil-doers, that she has never yielded to soothing words, to prayers and entreaties, to flattery, nor to anything of that kind. Therefore she is properly represented too as stern and dignified, with a serious expression and a keen, steadfast glance, in order that she may inspire fear in the wicked and courage in the good; to the latter, as her friends, she presents a friendly aspect, to the former a stern face.

I thought it the more necessary to quote these words of Chrysippus, in order that they might be before us for consideration and judgment, since, on hearing me read them, some philosophers who are more sentimental in their views called that a representation of Cruelty rather than of Justice.

The strife and contention of two eminent grammarians at Rome as to the vocative case of egregius.

ONCE upon a time, wearied with constant writing, I was walking in the park of Agrippa [*](The campus Agrippae, laid out by the famous minister of Augustus, was finished and dedicated by the emperor in 7 B.C. It extended from the line of the aqua Virgo on the south at least as far as the modern via S. Claudio on the north, and from the via Lata to the slope of the Quirinal hill, although its eastern boundary is quite uncertain; see Platner, Topog.,2 p. 477.) for the purpose of relieving and resting my mind. And there, as it chanced, I saw two grammarians of no small repute in the city of Rome, and was a witness of a violent dispute between them, one maintaining

that vir egregi was the proper form of the vocative case, the other vir egregie.

The argument of the one who thought that we should say egregi was of this sort:

Whatever nouns or words,

said he,

end in the nominative singular in the syllable us preceded by i, in the vocative case terminate in the letter i, as Caelius Caeli, modius modi, tertius terti, Accius Acci, Titius Titi, and the like; so then egregious, since it ends in the syllable us in the nominative and the letter i precedes that syllable, must in the vocative singular have i for the final letter, and therefore it is correct to say egregi, not egregie. For divus and rivus and clivus do not end in the syllable us, but in that which ought to be written with two us, and in order to indicate that sound a new letter was devised, which was called the digamma.

[*](The Greek digamma had practically the form of Latin F and the pronunciation of Latin V (the semi-vowel). The Romans used the character to represent the sound of f, at first with the addition of the aspirate h (as in heehawed, C.I.L. i2. 3 and xiv. 4123) and afterwards alone. Since V was used both for the vowel u and the semi-vowel v, the emperor Claudius introduced an inverted digamma (v), to represent the latter sound; see Suet. Claud. xii. 3 and (e.g.) C.I.L. vi. 919. The writing of F for V, to which Gellius seems to refer, was apparently confined to a few grammarians; see Cassiodorus, vii. 148. 8 K and Priscian, ii, 11. 5 K.) When the other heard this, he said: "O egreie grammatice, or if you prefer, egregissime, tell me, I pray you, what is the vocative case of, inscius, impius, sobrius, ebrius, proprius, propitious, anxius, and contrarius, which end in the syllable us and have the letter i before the final syllable? For shame and modesty prevent me from pronouncing them according to your rule." Now the other, overcome by the accumulation of so many words against him, remained silent for a time; but then he nevertheless rallied, and upheld and defended that same rule which he had laid down, maintaining that proprius, propitius, anxius and contrarius ought to have the same form in the vocative case as adversarius and extrarius; that inscius also and impius and ebrius and sobrius were somewhat less commonly, nevertheless more correctly, made to end in that same case in the letter i rather than e. But as this contest of theirs was likely to be continued for some time, I did not think it worth while to listen to those same arguments any longer, and I left them shouting and wrangling.