Noctes Atticae
Gellius, Aulus
Gellius, Aulus. The Attic Nights of Aulus Gellius. Rolfe, John C., translator. Cambridge, Mass.; London: Harvard University Press; William Heinemann, 1927 (printing).
In these words of Cicero, from his fifth oration Against Verres, hanc sibi rem praesidio sperant futurum, there is no error in writing or grammar but those are wrong who do violence to good copies by writing futuram; and in that connection mention is also made of another word of Cicero's which, though correct, is wrongly changed; with a few incidental remarks on the melody and cadence of periods for which Cicero earnestly strove.
IN the fifth oration of Cicero Against Verres,[*](ii. 5. 167. ) in a copy of unimpeachable fidelity, since it was the result of Tiro's [*](Cicero's favourite freedman, who not only aided him in his literary work, but also, after the orator's death, collected, arranged, and published his patron's writings, in particular his correspondence.) careful scholarship, is this passage:
Men of low degree and humble birth sail the seas; they come to places which they had never before visited. They are neither known to those to whom they have come nor can they always find acquaintances to vouch for them, yet because of this mere faith in their citizenship they believe that they will be safe, not only before our magistrates, who are constrained by fear of thev1.p.37laws and public opinion, and not only among Roman citizens, who are united by the common bond of language, rights, and many interests, but wherever they may come, they hope that this possession will protect them.
It seemed to many that there was an error in the last word. For they thought that futuram should be written instead of futurum, and they were sure that the book ought to be corrected, lest like the adulterer in the comedy of Plautus [*](Bacch. 918.) —for so they jested about the error which they thought they had found—this solecism in an oration of Cicero's should be
caught in the act.
There chanced to be present there a friend of mine, who had become an expert from wide reading and to whom almost all the older literature had been the object of study, meditation and wakeful nights. He, on examining the book, declared that there was no mistake in writing or grammar in that word, but that Cicero had written correctly and in accordance with early usage.
For futurum is not,said he, " to be taken with rem, as hasty and careless readers think, nor is it used as a participle. It is an infinitive, the kind of word which the Greeks call a)pare/mfatos or 'indeterminate,' affected neither by number nor gender, but altogether free and independent, such a word as Gaius Gracchus used in the speech entitled On Publius Popilius, delivered in the places of assembly, [*](Gracchus delivered two speeches against Popilius, one in the Forum at Rome (pro rostris), the other circum conciliabula, in the market-places of various towns of Latium; see Meyer, O. R. F,2 p. 239.) in which we read: 'I suppose that my enemies will say this.' He said dicturum, not dicturos; and is it not clear that dicturum in Gracchus is used according to the same principle
While they were being cut to pieces, the forces of the enemy would be busy there (copias . . . futurum); and at the beginning of the eighteenth book of the same Quadrigarius: [*](Fr. 79, Peter.)
If you enjoy health proportionate to your own merit and our good-will, we have reason to hope that the gods will bless the good (deos . . . facturum); that similarly Valerius Antias also in his twenty-fourth book wrote:
If those religious rites should be performed, and the omens should be wholly favourable, the soothsayers declared that everything would proceed as they desired (omnia . . .processurum esse).[*](Fr. 59, Peter.)
Plautus also in the Casina, [*](v. 691.) speaking of a girl, used occisurum, not occisuram in the following passage: Has Casina a sword?—Yes, two of them.— Why two?—With one she'd fain the bailiff slay, With t'other you. So too Laberius in The Twins wrote: [*](v. 51, Ribbeck.3) I thought not she would do (facturum) it. Now, all those men were not unaware of the nature of a solecism, but Gracchus used dicturum, Quadrigarius futurum and facturum, Antias processurum, Plautus occisurum and Laberius facturum, in the infinitive mood, a mood which is not inflected for mood or number or person or tense or gender,[*](Cellius' friend was partly right. Such forms as dicturum were derived from the second supine dictu + *erom (earlier *esom), the infinitive of sum. Later, the resulting form dicturum was looked upon as a participle and declined. In the early writers such infinitives did not change their form, and did not add the tautological esse.)v1.p.41but expresses them all by one and the same form, just as Marcus Cicero did not use fiturum in the masculine or neuter gender—for that would clearly be a solecism—but employed a form which is independent of any influence of gender.
Furthermore, that same friend of mine used to say that in the oration of that same Marcus Tullius On Pompey's Military Command [*](§ 33.) Cicero wrote the following, and so my friend always read it:
Since you know that your harbours, and those harbours from which you draw the breath of life, were in tile power of the pirates.And he declared that in potestatem fuisse [*](That is, for in potestate.) was not a solecism, as the half-educated vulgar think, but he maintained that it was used in accordance with a definite and correct principle, one which the Greeks also followed; and Plautus, who is most choice in his Latinity, said in the Amphitruo: [*](v. 180. Leo reads num número mi in mentém fruit it hasn't just occurred to me, has it?)
not in mente, as we commonly say.
- Número mihi in mentém fuit,
But besides Plautus, whom my friend used as an example in this instance, I myself have come upon a great abundance of such expressions in the early writers, and I have jotted them down here and there in these notes of mine. But quite apart from that rule and those authorities, the very sound and order of the words make it quite clear that it is more in accordance with the careful attention to diction and the rhythmical style of Marcus Tullius that, either
These are his own words from the speech which he delivered On Pomnpey's Military Command: [*](§ 30.)
Sicily is a witness, which, begirt on all sides by many dangers, he freed (explicavit), not by the threat of war, but by his promptness in decision.But if lie had said explicuit, the sentence would halt with weak and imperfect rhythm. [*](The cadence _u_u was a favourite one with Cicero at the end of a sentence.)
An anecdote found in the works of the philosopher Sotion about the courtesan Lais and the orator Demosthenes.
SOTION was a man of the Peripatetic school, far from unknown. He wrote a book filled with wide and varied information and called it Ke/ras )Amalqei/as,[*](The Horn of Amantheia; see Greek Index.) which is about equivalent to The Horn of Plenty.
In that book is found the following anecdote about the orator Demosthenes and the courtesan Lais:
Lais of Corinth,he says,
used to gain a great deal of money by the grace and charm of her beauty, and was frequently visited by wealthy men from all over Greece; but no one was received who did not give what she demanded, and herHe says that this was the origin of the proverb common among the Greeks:v1.p.45demands were extravagant enough.
for in vain would any man go to Corinth to visit Lais who could not pay her price.
- Not every man may fare to Corinth town, [*](Cf. Horace, Epist. i. 17. 36.)
The great Demosthenes approached her secretly and asked for her favours. But Lais demanded ten thousand drachmas—a sum equivalent in our money to ten thousand denarii. [*](The drachma and the denarius (about 8d. or 16 cents) was the average wage of a day-labourer.)
Amazed and shocked at the woman's great impudence and the vast sum of money demanded, Demosthenes turned away, remarking as he left her: 'I will not buy regret at such a price.'But the Greek words which he is said to have used are neater; he said: Ou)k w)nou=mai muri/wn draxmw=n metame/leian. [*](I will not buy regret for ten thousand drachmas.) .
What the method and what the order of the Pythagorean training was, and the amount of time which was prescribed and accepted as the period for learning and at the same time keeping silence.
IT is said that the order and method followed by Pythagoras, and afterwards by his school and his successors, in admitting and training their pupils were as follows: At the very outset he
physiognomizedthe young men who presented themselves for instruction. That word means to inquire into the character and dispositions of men by an inference drawn from their facial appearance and
auditors.But when they had learned what is of all things the most difficult, to keep quiet and listen, and had finally begun to be adepts in that silence which is called e)xemuqi/a or
continence in words,they were then allowed to speak, to ask questions, and to write down what they had heard, and to express their own opinions. During this stage they were called maqhmatikoi/ or
students of science,evidently from those branches of knowledge which they had now begun to learn and practise; for the ancient Greeks called geometry, gnomonics, [*](The science of dialling, concerned with the making and testing of sun-dials (gnw/mones).) music and other higher studies maqh/mata or
sciences; but the common people apply the term mathematici to those who ought to be called by their ethnic name, Chaldaeans. [*](Chaldaei and mathematici were general terms for astrologers at Rome; see e.g. Suet. Dom. xiv. 1, xv. 3; Tib. lxix; etc.) Finally, equipped with this scientific training, they advanced to the investigation of the phenomena of the universe and the laws of nature,
natural philosophers.
Having thus expressed himself about Pythagoras, my friend Taurus continued: "But nowadays these fellows who turn to philosophy on a sudden with unwashed feet, [*](Proverbial for without preparation.) not content with being wholly 'without purpose, without learning, and without scientific training,' even lay down the law as to how they are to be taught philosophy. One says, 'first teach me this,' another chimes in,' I want to learn this, I don't want to learn that'; one is eager to begin with the Symposiumn of Plato because of the revel of Alcibiades, [*](Ch. 30.) another with the Phaedrus on account of the speech of Lysias. [*](Ch. 6.) By Jupiter!" said he,
one man actually asks to read Plato, not in order to better his life, but to deck out his diction and style, not to gain in discretion, but in prettiness.That is what Taurus used to say, in comparing the modern students of philosophy with the Pythagoreans of old.
But I must not omit this fact either—that all of them, as soon as they had been admitted by Pythagoras into that band of disciples, at once devoted to the common use whatever estate and property they had, and an inseparable fellowship was formed, like the old-time association which in Roman legal parlance was termed an
undivided inheritance.[*](See Servius on Aen. viii. 612, ercto non cito, id est, hereditate non divisa; nam citus divisus siqnificat.)
In what terms the philosopher Favorinus rebuked a young man who used language that was too old-fashioned and archaic.
THE philosopher Favorinus thus addressed a young man who was very fond of old words and made a display in his ordinary, everyday conversation of many expressions that were quite too unfamiliar and archaic:
Curius,said he,
and Fabricius and Coruncanius, men of the olden days, and of a still earlier time than these those famous triplets, the Horatii, talked clearly and intelligibly with their fellows, using the language of their own day, not that of the Aurunci, the Sicani, or the Pelasgi, who are said to have been the earliest inhabitants of Italy. You, on the contrary, just as if you were talking to-day with Evander's mother, [*](Evander, a Greek from Pallanteum in Arcadia, migrated to Italy and settled on the Palatine hill before the coming of Aeneas.) use words that have already been obsolete for many years, because you want no one to know and comprehend what you are saying. Why not accomplish your purpose more fully, foolish fellow, and say nothing at all? But you assert that you love the olden time, because it is honest, sterling, sober and temperate. Live by all means according to the manners of the past, but speak in the language of the present, and always remember and take to heart what Gaius Caesar, a man of surpassing talent and wisdom, wrote in the first book of his treatise On Analogy: [*](A work on grammar in two books, mentioned among the writings of Caesar by Suet. Jul. lvi. 5; Fronto, p. 221, Naber (L.C.L. ii, pp. 29 and 255 ff.); described by Cic. Brut. 253 as de ratione Latine loquendi.) 'Avoid, as you would a rock, a strange and unfamiliar word.'
The statement of the celebrated writer Thucydides, that the Lacedaemonians in battle used pipes and not trumpets, with a citation of his words on that subject; and the remark of Herodotus that king Alyattes had female lyre-players as part of his military equipment; and finally, some notes on the pipe used by Gracchus when addressing assemblies.
THUCYDIDES, the most authoritative of Greek historians, tells us [*](v. 70.) that the Lacedaemonians, greatest of warriors, made use in battle, not of signals by horns or trumpets, but of the music of pipes, certainly not in conformity with any religious usage or from any ceremonial reason, nor yet that their courage might be roused and stimulated, which is the purpose of horns and trumpets; but on the contrary that they might be calmer and advance in better order, because the effect of the flute-player's notes is to restrain impetuosity. So firmly were they convinced that in meeting the enemy and beginning battle nothing contributed more to valour and confidence than to be soothed by gentler sounds and keep their feelings under control. Accordingly, when the army was drawn up, and began to advance in battle-array against the foe, pipers stationed in the ranks began to play. Thereupon, by this quiet, pleasant, and even solemn prelude the fierce impetuosity of the soldiers was checked, in conformity with a kind of discipline of military music, so to speak, so that they might not rush forth in straggling disorder.
But I should like to quote the very words of that outstanding writer, which have greater distinction and credibility than my own:
And after this thev1.p.55attack began. The Argives and their allies rushed forward eagerly and in a rage, but the Lacedaemonians advanced slowly to the music of many flute-players stationed at regular intervals; this not for any religious reason, but in order that they might make the attack while marching together rhythmically, and that their ranks might not be broken, which commonly happens to great armies when they advance to the attack.
Tradition has it that the Cretans also commonly entered battle with the lyre playing before them and regulating their step. Futhermore, Alyattes, king of the land of Lydia, a man of barbaric manners and luxury, when he made war on the Milesians, as Herodotus tells us in his History, [*](i. 17.) had in his army and his battle-array orchestras of pipe and lyre-players, and even female flute-players, such as are the delight of wanton banqueters. Homer, however, says [*](Iliad, iii. 8.) that the Achaeans entered battle, relying, not on the music of lyres and pipes, but on silent harmony and unanimity of spirit:
- In silence came the Achaeans, breathing rage,
- Resolved in mind on one another's aid.
What then is the meaning of that soul-stirring shout of the Roman soldiers which, as the annalists have told us, was regularly raised when charging the foe? [*](This is approved by Julius Caesar, Bell. Civ. iii. 92. 5.) Was that done contrary to so generally accepted a rule of old-time discipline? Or are a quiet advance and silence needful when an army is marching against an enemy that is far off and visible from a distance, but when they have almost come to blows, then must the foe, already at close quarters, be driven back by a violent assault and terrified by shouting?
But, look you, the Laconian pipe-playing reminds me also of that oratorical pipe, which they say was played for Gaius Gracchus when he addressed the people, and gave him the proper pitch. But it is not at all true, as is commonly stated, that a musician always stood behind him as he spoke, playing the pipe, and by varying the pitch now restrained and now animated his feelings and his delivery. For what could be more absurd than that a piper should play measures, notes, and a kind of series of changing melodies for Gracchus when addressing an assembly, as if for a dancing mountebank? But more reliable authorities declare that the musician took his place unobserved in the audience and at intervals sounded on a short pipe a deeper note, to restrain and calm the exuberant energy of the orator's delivery. And that in my opinion is the correct view, for it is unthinkable that Gracchus' well-known natural vehemence needed any incitement or impulse from without. Yet Marcus Cicero thinks that the piper was employed by Gracchus for both purposes, in order that with notes now soft, now shrill, he might animate his oratory when it was becoming weak and feeble, or check it when too violent and passionate. I quote Cicero's own words: [*](De Orat. iii. 225.)
And so this same Gracchus, Catulus, as you may hear from your client Licinius, an educated man, who was at that time Gracchus' slave and amanuensis, [*](The more usual expression for amanuensis is (servus) a manu, but ad manum also occurs.) used to have a skilful musician stand behind him in concealment when he addressed an audience, who could quickly breathe a note to arouse the speaker if languid, or recall him from undue vehemence.
Finally, Aristotle wrote in his volume of Problems [*](The marching of the cowards, because of their fear, would not be in time with the music.) that the custom of the Lacedaemonians which I have mentioned, of entering battle to the music of pipers, was adopted in order to make the fearlessness and ardour of the soldiers more evident and indubitable.
For,said he,
distrust and fear are not at all consistent with an advance of that kind, and such an intrepid and rhythmical advance cannot be made by the faint-hearted and despondent.I have added a few of Aristotle's own words on the subject:
Why, when on the point of encountering danger, did they advance to music of the pipe? In order to detect the cowards by their failure to keep time.* * * [*](Some comment on the quotation should follow. Hertz indicated a lacuna.)
AT what age, from what kind of family, by what rites, ceremonies and observances, and under what title a Vestal virgin is
takenby the chief pontiff; what legal privileges she has immediately upon being chosen; also that, according to Labeo, she is lawfully neither heir of an intestate person, nor is anyone her heir, in case she dies without a will.
Those who have written about
takinga Vestal virgin, of whom the most painstaking is Antistius Labeo, [*](De Iure Pontificali, fr. 21, Huschke; 3, Bremer.) have stated that it is unlawful for a girl to be chosen who is less than six, or more than ten, years old; she must also have both father and mother living; she must be free too from any impediment in her speech, must not have impaired hearing, or be marked by any other bodily defect;
Now, as soon as the Vestal virgin is chosen, escorted to the House of Vesta and delivered to the pontiffs, she immediately passes from the control of her father without the ceremony of emancipation or loss of civil rights, and acquires the right to make a will.
But as to the method and ritual for choosing a Vestal, there are, it is true, no ancient written records,
takenby the chief pontiff and become Vesta's. But that allotment in accordance with the Papian law is usually unnecessary at present. For if any man of respectable birth goes to the chief pontiff and offers his daughter for the priesthood, provided consideration may be given to her candidacy without violating any religious requirement, the senate grants him exemption from the Papian law.
Now the Vestal is said to be
taken,it appears, because she is grasped by the hand of the chief pontiff and led away from the parent under whose control she is, as if she had been taken in war. In the first book of Fabius Pictor's History [*](Fr. 4, Huschke; 1, Bremer.) the formula is given which the chief pontiff should use in choosing a Vestal. It is this:
I take thee, Amata, as one who has fulfilled all the legal requirements, to be priestess of Vesta, to perform the rites which it is lawful for a Vestal to perform for the Roman people, the Quirites.
Now, many think that the term
takenought to be used only of a Vestal. But, as a matter of fact, the flamens of Jupiter also, as well as the augurs, were said to be
taken.Lucius Sulla, in the second book of his Autobiography, [*](Fr. 2, Peter.) wrote as follows:
Publius Cornelius, the first to receive the surname Sulla, was taken to be flamen of Jupiter.Marcus
Yet they say that they wished to revolt. I myself at the present moment wish a thorough knowledge of the pontifical law; shall I therefore be taken as chief pontiff? If I wish to understand the science of augury thoroughly, shall anyone for that reason take me as augur?
Furthermore, in the Commentaries on the Twelve Tables compiled by Labeo [*](Fr. 24, Huschke; 2, Bremer. The comment quoted by Gellius is on Twelve Tables V. 1.) we find this passage:
A Vestal virgin is not heir to any intestate person, nor is anyone her heir, should she die without making a will, but her property, they say, reverts to the public treasury. The legal principle involved is an unsettled question.
The Vestal is called
Amatawhen taken by the chief pontiff, because there is a tradition that the first one who was chosen bore that name. [*](Various other reasons have been given, of which perhaps the most attractive is that it is from an original a)dama/ta, inwedded. According to Pruner, Hestia-Vesta, p. 276, followed by Rossbach in Pauly-Wissowa, s.v., amata is not a proper name, but means beloved.)
On the philosophical question, what would be more proper on receipt of an order-to do scrupulously what was commanded, or sometimes even to disobey, in the hope that it would be more advantageous to the giver of the order; and an exposition of varying views on that subject.
IN interpreting, evaluating and weighing the obligations which the philosophers call kaqh/konta, or
duties,the question is often asked, when some task has been assigned to you and exactly what was to be done has been defined, whether you ought to do anything contrary to instructions, if by so doing
I think that this question of obedience to commands of such a nature will be more clearly defined, if I add the example set by Publius Crassus Mucianus, a distinguished and eminent man. This Crassus is said by Sempronius Asellio [*](Fr. 8, Peter.) and several other writers of Roman history to have had the five greatest and chiefest of blessings; for he was very rich, of the highest birth, exceedingly eloquent, most learned in the law, and chief pontiff. When he, in his consulship, was in command in [*](In the year of his consulship (131 B.C.) he was sent with an army against Aristonicus, who laid claim to the kingdom of Pergamum, which Attalus III had bequeathed to the Romans.) the province of Asia, and was making preparations to beset and assault Leucae, he needed a long, stout beam from which to make a battering-ram, to breach the walls of that city. Accordingly, he wrote to the chief engineer of the people of Mylatta, [*](The text seems hopelessly corrupt. We perhaps have a fusion of e)pa/rxwn a)rxitekto/nwn (Dittenberger3, 804. 5) and its equivalent magister( == praefectus) fabrumt. With a)rxite/ktona (Hertz), the meaning would be 'builder. With matgistrumn (Hosius), the chief magistrate, or perhaps a ship-captain (sc. navis). For the town, Bergk proposed Mytilene; Hosius, Myrina. The MSS. suggest Mylasa (Mylassa, Mylatta).) allies and friends of the Romans, to have the larger of two masts which he had seen in their city sent him. Then the chief engineer on learning the purpose for which Crassus wanted the mast, did not send him the larger, as had been ordered, but the smaller, which he thought was more suitable, and better adapted for
What was said and done by Gaius Fabricius, a man of great renown and great deeds, but of simple establishment and little money, when the Samnites offered him a great amount of gold, in the belief that he was a poor man.
JULIUS HYGINUS, in the sixth book of his work On the Lizes and Deeds of Famous Men,[*](Fr. 3, Peter.) says that a deputation from the Samnites came to Gaius Fabricius, the Roman general, and after mentioning his many important acts of kindness and generosity to the Samnites since peace was restored, offered him a present of a large sum of money, begging that he would accept and use it. And they said that they did this because they saw that his house and mode of life were far from magnificent, and that he was not so well provided for as his high rank demanded. Thereupon Fabricius passed his open hands from his ears to his eyes, then down to his nose, his mouth, his throat, and finally to the lower part of his belly; then he replied to the envoys:
So long as I can restrain and control all those members which I have touched, I shall never lackv1.p.73anything; therefore I cannot accept money, for which I have no use, from those who, I am sure, do have use for it.
What a tiresome and utterly hateful fault is vain and empty loquacity, and how often it has been censured in deservedly strong language by the greatest Greek and Latin writers.
THE talk of empty-headed, vain and tiresome babblers, who with no foundation of solid matter let out a stream of tipsy, tottering words, has justly been thought to come from the lips and not from the heart. Moreover, men say that the tongue ought not to be unrestrained and rambling, but guided and, so to speak, steered by cords connected with the heart and inmost breast. Yet you may see some men spouting forth words with no exercise of judgment, but with such great and profound assurance that many of them in the very act of speaking are evidently unaware that they are talking. Ulysses, on the contrary, a man gifted with sagacious eloquence, spoke, not from his lips but from his heart, as Hommer says—a remark which applies less to the sound and quality of his utterance than to the depth of the thoughts inwardly conceived; and the poet went on to say, with great aptness, that the teeth form a rampart to check wanton words, in order that reckless speech may not only be restrained by that watchful sentry the heart, but also hedged in by a kind of outpost, so to speak, stationed at the lips.
The words of Homer which I mentioned above are these: [*](Iliad, iii. 221.)
and: [*](Iliad, iv. 350, etc.)
- When from his breast his mighty voice went forth
I have added also a passage from Marcus Tullius, in which he expresses his strong and just hatred of silly and unmeaning volubility. He says: [*](De Orat. iii. 142.)
- What a word has passed the barrier of your teeth.
Provided this fact be recognized, that neither should one commend the dumbness of a man who knows a subject, but is unable to give it expression in speech, nor the ignorance of one who lacks knowledge of his subject, but abounds in words; yet if one must choose one or the other alternative, I for my part would prefer tongue-tied knowledge to ignorant loquacity.Also in the first book of the De Oratore [*](i. 51.) he wrote as follows:
For what is so insane as the empty sound of words, however well-chosen and elegant, if there be no foundation of sense or sagacity?But Marcus Cato in particular is a relentless assailant of this fault. For in the speech entitled If Caelius, tribune of the commons, should have summoned him, [*](See Jordan's Cato, xl. 1. The meaning of the title, which is uncertain, is discussed in his Prolegomena, p. lxix f. Se refers to Cato himself. By some the speech is regarded as identical with the one mentioned by Fronto, vol. i, p. 117, L.C.L., and by Plutarch, Cato ix. 7, vol. ii, p. 329, L. C.L.) he says:
That man is never silent who is afflicted with the disease of talking, as one in a lethargy is afflicted with that of drinking and sleeping. For if you should not come together when he calls an assembly, so eager is he to talk that he would hire someone to listen. And so you hear him, but you do not listen, just as if he were a quack. For a quack's words are heard, but no one trusts himselfAgain Cato, in the same speech, [*](xl. 2, Jordan.) upbraiding the same Marcus Caelius, tribune of the commons, for the cheapness at which not only his speech but also his silence could be bought, says:v1.p.77to him when he is sick.
For a crust of bread he can be hired either to keep silence or to speak.Most deservedly too does Homer call Thersites alone of all the Greeks a)metroeph/s,
of measureless speech,and a)krito/muqos, [*](Iliad ii. 212 246.)
a reckless babbler,declaring that his words are many and a)/kosma, or
disordered,like the endless chatter of daws; [*](Iliad, ii 213.) for what else does e)kolw/a (
he chattered) mean? There is also a line of Eupolis most pointedly aimed at men of that kind: [*](Fr. 95, Koch.)
and our countryman Sallust, wishing to imitate this, writes: [*](Hist. iv. 43, Maur.)
- In chatter excellent, unable quite to speak,
Talkative rather than eloquent.It is for the same reason that Hesiod, wisest of poets, says [*](Works and Days, 719.) that the tongue should not be vulgarly exposed but hidden like a treasure, and that it is exhibited with best effect when it is modest, restrained and musical. His own words are:
The following verse of Epicharmus is also to the point: [*](Fr. 272, Kaib.)
- The greatest of man's treasures is the tongue,
- Which wins most favour when it spares its words
- And measured is of movement.
and it is from this line surely that the saying arose:
- Thou art not skilled in speech, yet silence cannot keep,
Who, though he could not speak, could not be silent.
I once heard Favorinus say that the familiar lines of Euripides: [*](Bacch. 386.)
ought not to be understood as directed only at those who spoke impiously or lawlessly, but might even with special propriety be used also of men who prate foolishly and immoderately, whose tongues are so extravagant and unbridled that they ceaselessly flow and seethe with the foulest dregs of language, the sort of persons to whom the Greeks apply the highly significant term kata/glwssoi, or
- Of unrestrained mouth
- And of lawless folly
- Is disaster the end,
given to talk.I learned from a friend of his, a man of learning, that the famous grammarian Valerius Probus, shortly before his death, began to read Sallust's well-known saying, [*](Cat. v. 4.)
a certain amount of eloquence but little discretion,as
abundant talkativeness, too little discretion,and that he insisted that Sallust left it in that form, since the word loquentia was very characteristic of Sallust, an innovator in diction, [*](It is true that Sallust was fond of new words, but the best MSS. of Sallust are unanimous for eloquentiae. Besides this passage of Gellius, L. and S. cite loquentia only in Plin. Epist. v. 20. 5, Iulius Cordus . . . solet dicere aliud esse eloquentiam, aliud loquentiam.) while eloquentia was not at all consistent with lack of discretion.
Finally, loquacity of this kind and a disorderly mass of empty grandiloquence is scored with striking epithets by Aristophanes, wittiest of poets, in the following lines: [*](Frogs, 837 ff., Rogers (L. C. L.). The epithets are applied to Aeschylus!)
- A stubborn-creating, stubborn-pulling fellow,
- Uncurbed, unfettered, uncontrolled of speech,
- Unperiphrastic, bombastiloquent.
That those words of Quadrigarius in the third book of his Annals,
there a thousand of men is killed,are not used arbitrarily or by a poetic figure, but in accordance with a definite and approved rule of the science of grammar.
QUADRIGARIUS in the third book of his Annals[*](Fr. 44, Peter.) wrote the following: "There a thousand of men is killed," using occiditur, not occiduntur. So too Lucilius in the third book of his Satires,
has mille est, not mille sunt. Varro in the seventeenth book of his Antiquilies of Man writes: [*](xviii, fr. 2, Mirsch. )
- From gate to gate a thousand of paces is.
- Thence to Salcrnum six, [*](v. 124, Marx, who has exinde for sex inde and supplies sumus, mus profecti.)
To the beginning of Romulus' reign is more than a thousand and one hundred years,Marcus Cato in the first book of his Origins, [*](Fr. 26, Peter.)
From there it is nearly a thousand of paces.Marcus Cicero has in his sixth Oration against Antony, [*](Phil. vi. 15.)
Is the middle Janus [*](The middle Janus was the seat of money-lenders and bankers. As a district it extended along the northern side of the Forum Romanum. The Janus itself was near the basilica Aemlia, perhaps at the entrance to the Argiletum.) so subject to the patronage of Lucius Antonius? Who has ever been found in that Janus who would lend Lucius Antonius a thousand of sesterces?
In these and many other passages mile is used in the singular number, and that is not, as some think, a concession to early usage or admitted as a neat figure of speech, but it is obviously demanded
thousand,but for xilia/s,
a thousand; and just as they say one xilia/s, or two xilia/des, so we say one thousand and two thousands according to a definite and regular rule. Therefore these common expressions are correct and good usage,
There is a thousand of denarii in the chest,and
There is a thousand of horsemen in the army.Furthermore Lucilius, in addition to the example cited above, makes this point still clearer in another place also: for in his fifteenth book he says: [*](506 ff., Marx, who punctuates with a comma after succussor, with a slight change in the meaning, taking nullus seqetur in the sense of non sequetur. On the Campanian horses see Livy, viii.11.5 and xxvi.4.3, 6; Val. Max. ii.3.3.)
So too in the ninth book: [*](327, Marx.)
- This horse no jolting fine Campanian steed,
- Though he has passed him by one thousand, aye
- And twain, of paces, can in a longer course
- Compete with, but he will in fact appear
- To run the other way.
Lucilius wrote milli passum instead of mille passibus and uno milli nummum for unis mille nunmis, thus showing clearly that mille is a noun, used in the singular number, that its plural is milia, and that it also forms an ablative case. Nor ought we to expect the rest of the cases; for there are many other words which are declined only in single cases, and even some which are not declined at all. Therefore we can no longer doubt that Cicero, in the speech which he wrote In Defence of Milo, [*](§53.) used these words:
- With sesterces a thousand you can gain
- A hundred thousand.
Before the estate of Clodius, where fully a thousand ofnotv1.p.85ablebodied men was employed on those crazy substructures,
were employed,as we find it in less accurate copies; for one rule requires us to say
a thousand men,but another,
a thousand of men.