Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

The same consideration applies to correction. For correction emends, where hesitation expresses a doubt. Some have even held that it applies to personification as well; they think, for example, that Avarice is the mother of cruelly, Sallust's O Romulus of Arpinum in his speech against Cicero, and the Thriasian Oedipus [*]( An allusion to some inhabitant of the Athenian village of Thria. ) of Menander are figures of speech. All these points have been discussed in full detail by those who have not given this subject merely incidental treatment as a portion of a larger theme, but have devoted whole books to the discussion of the topic: I allude to writers such as Caecilius, Dionysius, Rutilius, Cornificius, Visellius and not a few others, although there are living authors who will be no less famous than they.

Now though I am ready to admit that more figures of speech may perhaps be discovered by certain writers, I cannot agree that such figures are better than those which have been laid down by high authorities. Above all I would point out that Cicero has included a number of figures in the third book of the de Oratore, [*](See IX. i. 26.) which in his later work, the Orator, [*](See IX. i. 37.) he has omitted, thereby seeming to indicate that he condemned them. Some of these are figures of thought rather than of speech, such as meiosis, the introduction of the unexpected, imagery, answering our own questions, digression, permission, [*](See IX. ii. 25.) arguments drawn from opposites (for I suppose that by

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contrarium [*]( See IX. i. 33. sqq. If contrarium is what Quintilian supposes, its sense must be approximate to that given above. Cp. Auct. ad Herenn. iv. 25. contrarium est quod ex diversis rebus duabus alteram altera breviter etfacile confirmat. But it is possible that Cicero meant antithesis. ) he means what is elsewhere styled ἐναντιότης ), and proof borrowed from an opponent. There are some again which are not figures at all,