Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

A more trivial effect is produced by the following: Non Pisonum, sed pistorum, [*](Not of the Pisos, but of the bakers.) and Ex oratore arator, [*](Phil III. ix. 22: Orator turned ploughman. ) while phrases such as Ne patres conscripti videantur circumscripti, [*]( Auct. ad Herenn, iv. 22. That the conscript fathers be not cheated. ) or raro evenit, sed vehenenter venit, [*](Meaning uncertain.) are the worst of all. It does, however, sometimes happen that a bold and vigorous conception may derive a certain charm from the contrast between two words not dissimilar in sound.

I do

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not know that there is any reason why modesty should prevent me from illustrating this point from my own family. My father, in the course of a declamation against a man who had said he would die on his embassy and then returned after a few days' absence without accomplishing anything, said, non exigo ut immoriaris legationi: immorare. [*](I (do not demand that you should die on your embassy; only stay there!) For the sense is forcible and the sound of the two words, which are so very different in meaning, is pleasant, more especially since the assonance is not far fetched, but presents itself quite naturally, one word being of the speaker's own selection, while the other is supplied by his opponent.

The old orators were at great pains to achieve elegance in the use of words similar or opposite in sound. Gorgias carried the practice to an extravagant pitch, while Isocrates, at any rate in his early days, was much addicted to it. Even Cicero delighted in it, but showed some restraint in the employment of a device which is not unattractive save when carried to excess, and, further, by the weight of his thought lent dignity to what would otherwise have been mere trivialities. For in itself this artifice is a flat and foolish affectation, but when it goes hand in hand with vigour of thought, it gives the impression of natural charm, which the speaker has not had to go far to find.

There are some four different forms of play upon verbal resemblances. The first occurs when we select some word which is not very unlike another, as in the line of Virgil

  1. vuppesque tuae pubesque tuorum,
Aen. i. 399. [*](Your ships and the flower of your young warriors.)
or, sic in hac calamitosa fama quasi in aliqua perniciosissim flamma, [*](Pro Cluent. i. 4. In the midst of this disastrous defamation, which may be compared to a disastrous conflagration. ) and non enim tarn spes laudanda quam
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res est. [*]( From Cic. de Republica. For it is performance rather that promise that claims our praise. ) Or at any rate the words selected will be of equal length and will have similar terminations, as in non verbis, sed armis. [*](Rutil. ii. xii. Not with words, but with arms. )

A good effect may also be produced by an artifice such as the following, so long as the thought which it expresses be vigorous: quantum possis, in eo semper experire ut prosis. [*](Always try in such cases to make your efforts as useful as possible.) The name commonly applied to this is πάροσον though the Stoic Theon thinks that in cases of πάρισον the correspondence between the clauses must be exact.

The second form occurs when clauses conclude alike, the same syllables being placed at the end of each; this correspondence in the ending of two or more sentences is called homoeoteleuton. Here is an example: Non modo ad salutem eius exstinguendam sed etiam gloriam per tales viros infringendam. [*](Pro Mil. ii. 5. Not merely to destroy his personal security, but even to blacken his name by means of such ruffians. ) This figure is usually, though not invariably, found in the groups of three clauses, styled τρίκωλα, of which the following may be cited as an illustration: vicit pudorem libido, timorem audacia, rationed amentia. [*](See § 62.) But the device may be applied to four clauses or more. The effect may even be produced by single words; for example, Hecuba hoc dolet, pudet, piget, [*]( From an unknown tragedian. This fills Hecuba with grief, shame and loathing. ) or abiit, excessit, erupit, evasit. [*](See § 46.)

In the third form the correspondence is produced by the use of similar cases; it is known as ὁμοιόπτωτον But this name, though it implies a certain similarity, does not necessarily involve identity in termination, since it means no more than similarity of case, irrespective of the fact that words may be differently declined, and does not always occur at the end of a sentence; the correspondence may occur at the beginning, middle or

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end of clauses, or may be varied so that the middle of one clause corresponds with the beginning of another and the end with the middle: in fact, any arrangement of correspondences is permissible.

Nor need the words which correspond consist of the same number of syllables. For example, we find the following sentence in Domitius Afer: Amisso nuper infelicis aulae, [*]( The sense of infelicis aulae is uncertain. See Crit. note. This unhappy court having lost, if not all that might protect it in the hour of peril, at any rate all that might console it in moments of adversity. ) si non praesidio inter pericula, tamen solacio inter adversa. The best form of this figure is that in which the beginnings and ends of the clauses correspond (as in this case praesidio corresponds with solacio and pericula with adversa ), in such a way that there is a close resemblance between the words, while cadence and termination are virtually identical.

It is also desirable that the clauses should be of equal length, although as a matter of fact this forms the fourth figure of this class, and is known as ἰσόκωλον The following will serve as an example, being both ἰσόκωλον and ὁμοιόπτωτον: Si, quantum in agro locisque desertis audacia potest, tantum in foro atque iudiciis impudentia valeret; continuing, it combines ἰσόκωλον, ὁμοιόπτωτον, and ὁμοιοτέλευτον. :—non minus nunc in causa cederet Aulus Caecina Sexti Aebutii imnpudentiae, quam turn in vi facienda cessit audaciae. [*](Cic. pro Caec. i. 1. If shamelessness carried as much weight in the forum and the law courts as daring carries in the country and in lonely places, Aulus Caecina would now yield no less to the shamelessness of Sextus Aebutius in the present case than he yielded to his audacity in the use of violence. ) This passage derives an additional elegance from the figure which I mentioned above [*]( §§ 36, 66. It must be remembered that casus can be applied to verbs as well as nouns. ) as consisting in the repetition of words with an alteration of case, tense, mood, etc., to be found in this instance in the words non minus cederet quam cessit. The following, on the other

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hand, combines homoeoteleuton and paronomasia: Neminem alteri posse dare in matrinonium, nisi penes quem sit patrimonium. [*]( That no one may bestow the hand of a woman on another in matrimony unless he be the possessor of a patrimony. )