Institutio Oratoria
Quintilian
Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.
But, while no one ever speaks against the view which he wishes to prevail, he may wish something of greater importance than what he actually says. Thus the disinherited son who asks his father to take back another son whom he had exposed, and who had been brought up by himself, on payment for his maintenance, while he may prefer that he himself should be reinstated, may all the same be perfectly sincere in his demand on behalf of his brother. Again, a kind of tacit hint may be employed, which,
while demanding the utmost rigour of the law from the judges, suggests a loophole for clemency, not openly, for that would imply a pledge on our part, but by giving a plausible suspicion of our meaning. This device is employed in a number of controversial themes, among them the following.
A ravisher, unless within thirty days he secure pardon both from his own father and the father of the ravished girl, shall be put to death. A man who has succeeded in securing pardon from the father of the girl, but not from his own, accuses the latter of madness.
Here if the father pledges himself to pardon him, the dispute falls to the ground. If, on the other hand, he holds out no hope of pardon, though he will not necessarily be regarded as mad, he will certainly give the impression of cruelty and will prejudice the judge against him. Latro
You will kill me then?and the father reply,
Yes, if I can.[*](Si potero is ambiguous. It might mean If I have the heart to do so. Here lies the loophole for clemency to which Quintilian has referred. ) The elder Gallio treats the theme with greater tenderness, as was natural to a man of his disposition. He makes the father say,
Be firm, my heart, be firm. Yesterday you were made of sterner stuff.
Akin to this are those figures of which the Greeks are so fond, by means of which they give gentle expression to unpleasing facts. Themistocles, for example, is believed to have urged the Athenians to commit their city to the protection of heaven, because to urge them to abandon it would have been too brutal an expression. Again the statesman [*](Unknown.) who advised that certain golden images of Victory should be melted down as a contribution to the war funds, modified his words by saying that they should make a proper use of their victories. But all such devices which consist in saying one thing, while intending something else to be understood, have a strong resemblance to allegory.
It has also been asked how figures may best be met. Some hold that they should always be exposed by the antagonist, just as hidden ulcers are laid open by the surgeon. It is true that this is often the right course, being the only means of refuting the charges which have been brought against us, and this is more especially the case when the question turns on the very point at which the figures are directed. But when the figures are merely employed as vehicles of abuse, it will sometimes even be wisest to show that we have a clear conscience by ignoring them.
Nay, even if too many figures have been used to permit us to take such a course, we may ask our opponents, if they
It may even at times be found useful to pretend to misunderstand them; for which we may compare the well known story of the man who, when his opponent cried,
Swear by the ashes of your father,[*]( See v. vi. 1. An oath might be taken by one of the parties as an alternative to evidence. In court such an oath might be taken only on the proposal of the defendant. The taking of such a proffered oath meant victory for the swearer. ) replied that he was ready to do so, whereupon the judge accepted the proposal, much to the indignation of the advocate, who protested that this would make the use of figures absolutely impossible; we may therefore lay it down as a general rule that such figures should only be used with the utmost caution.
There remains the third class of figure designed merely to enhance the elegance of our style, for which reason Cicero expresses the opinion that such figures are independent of the subject in dispute. As an illustration I may quote the figure which he uses in his speech [*]( Lost. An allusion presumably to the occasion when Clodius was found disguised as a woman at the mysteries of the Bona Dea. ) against Clodius:
By these means he, being familiar with all our holy rites, thought that he might easily succeed in appeasing the gods.