Institutio Oratoria
Quintilian
Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.
He even includes partition, proposition, division and affinity between two separate things, by which latter he means that two things apparently different signify the same: for example, not only the man who murders another by administering a deadly draught is to be regarded as a poisoner, but also the man who deprives another of his wits by giving him some drug, a point which depends on definition.
To these Rutilius or Gorgias add ἀναγκαῖον that is, the representation of the necessity of a thing, ἀνάμνησις or reminding, ἀνθυποφορά that is, replying to anticipated objections, ἀντίῤῥησις or refutation, παραύξησις or amplification, προέκθεσις which means pointing out what ought to have been done, and then what actually has been done, ἐναντιότης, or arguments from opposites [*]( See IX. iii. 90. For enthymemes κατ᾽ ἐνατίωσιν, see v. xiv. 2. and note on ex pugnantibus, Vol. II. p. 524. ) (whence we get enthymemes styled κατ᾽ ἐναντίωσιν ), and even μετάληψις, which Hermagoras considers a basis. [*]( See III. vi. 46. The term is not used here in the same sense as in VIII. vi. 37, but rather = translatio, see III. vi. 23. Lit. translatio means transference of the charge : the sense is virtually the same as that of exceptio (a plea made by defendant in bar of plaintiffs action). Competence is perhaps the least unsatisfactory rendering. ) Visellius, although he makes the number of figures but small, includes among them the enthymeme, which he calls commentum, and the epicheireme, which he calls ratio. [*](See note on v. xiv. 5, Vol. II. p. 524.) This view is also partially accepted by Celsus, who is in doubt whether consequence is not to be identified with the epicheireme.
Visellius also adds general reflexions to the list. I find others who would add to these διασκευή [*](Apparently some form of exaggeration.) or enhancement, ἀπαγόρευσις or prohibition, and παραδιήγησις or incidental narrative. But though these are not figures, there may be others which have slipped my notice, or are yet to be invented: still, they will be of the same nature as those of which I have spoken above.
III. Figures of speech have always been liable to change and are continually in process of change in accordance with the variations of usage. Consequently when we compare the language of our ancestors with our own, we find that practically everything we say nowadays is figurative. For example, we say invidere hac re for to
grudge a thing,instead of hanc rem, which was the idiom of all the ancients, more especially Cicero, and incumbere illi (to lean upon him) for incumbere in ilium, plenum vino (full of wine) for plenum vini, and huic adulari (to flatter him) for hunc adulari. I might quote a thousand other examples, and only wish I could say that the changes were not often changes for the worse.
But to proceed, figures of speech fall into two main classes. One is defined as the form of language, while the other is mainly to be sought in the arrangement of words. Both are equally applicable in oratory, but we may style the former rather more grammatical and the latter more rhetorical. [*]( These grammatical figures would not be styled figures of speech in English. Figures of language would perhaps be more comprehensive, but figures of speech is the translation and direct descendant of the original Greek σχήματα λέξεως and has therefore been used throughout. ) The former originates from the same sources as errors of language. For every figure of this kind would be an error, if it were accidental and not deliberate.
But as a rule such figures are defended by authority, age and usage, and not infrequently by some reason as well. Consequently, although they involve a divergence from direct and simple language, they are to be regarded as excellences, provided always that they have some praiseworthy precedent to follow. They have one special merit, that they relieve the tedium of everyday stereotyped speech and save us from commonplace language.
If a speaker use them sparingly and only as occasion demands, they will serve as a seasoning to his style and
For abnormal figures lying outside the range of common speech, while they are for that very reason more striking, and stimulate the ear by their novelty, prove cloying if used too lavishly, and make it quite clear that they did not present themselves naturally to the speaker, but were hunted out by him, dragged from obscure corners and artificially piled together. Figures, then,