Institutio Oratoria
Quintilian
Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.
that it is a form of ornament eschewed by the ancients. What do you mean by antiquity? If you go back to the earliest periods you will find that Demosthenes frequently employed methods that were known to none before him. How can we give our approval to Cicero, if we think that no change should be made from the methods of Cato and the Gracchi? And yet before the Gracchi and Cato the style of oratory was simpler still.
For my own part I regard these particular ornaments of oratory to be, as it were, the eyes of eloquence. On the other hand, I should not like to see the whole body full of eyes, for fear that it might cripple the functions of the other members, and, if I had no alternative, I should prefer the rudeness of ancient eloquence to the license of the moderns. But a middle course is open to us here no less than in the refinements of dress and mode of life, where there is a certain tasteful elegance that offends no one. Therefore let us as far as possible seek to increase the number of our virtues, although our first care must always be to keep ourselves free from vices, lest in seeking to make ourselves better than
I will now proceed to the next subject for discussion, which is, as I have said, that of tropes, or modes, as the most distinguished Roman rhetoricians call them. Rules for their use are given by the teachers of literature as well. But I postponed the discussion of the subject when I was dealing with literary education, because it seemed to me that the theme would have greater importance if handled in connexion with the ornaments of oratory, and that it ought to be reserved for treatment on a larger scale.