Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

And so, just at the moment when he thought his speech was showing him at his best and he had uttered the following solemn words, words designed to prove a master-stroke of art, 'Look at the fortunes of mankind, gentlemen, look at the aged form of Gaius Fabricius,' just at that very moment, I say, when he had repeated the word 'look' several times by way of making his words all the more impressive, he looked himself, and found that Fabricius had slunk out of court with his head hanging down.
I will not quote the rest of the passage, for it is well known. But he develops the theme
v4-6 p.461
still further although the plain facts amount simply to this, that Fabricius had left the court.

The whole of the story told by Caelius is full of wit and invention, but the gem of the passage is its conclusion.

He followed him, but how he crossed the straits, whether it was in a ship or a fisherman's boat, no one knew; but the Sicilians, being of a lively turn of wit, said that he rode on a dolphin and effected his crossing like a second Arion.
[*](i.e. D. Laelius or his colleague: see § 39. ) Cicero [*](Orat xxvi. 87. )

thinks that humour belongs to narrative and wit to sallies against the speaker's antagonist. Domitius Afer showed remarkable finish in this department; for, while narratives of the kind I have described are frequent in his speeches, several books have been published of his witticisms as well.

This latter form of wit lies not merely in sallies and brief displays of wit, but may be developed at greater length, witness the story told by Cicero in the second book of his de Oratore, [*]( 223. ) in which Lucius Crassus dealt with Brutus, against whom he was appearing in court.