Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

A very few critics have raised the question as to what may be the instrument of oratory. My definition of an instrument is that without which the material cannot be brought into the shape necessary for the effecting of our object. But it is not the art which requires an instrument, but the artist. Knowledge needs no instruments, for it may be complete although it produces nothing, but the artist must have them. The engraver cannot work without his chisel nor the painter without his brush. I shall therefore defer this question until I come to treat of the orator as distinct from his art.

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IN the second book the subject of inquiry was the nature and the end of rhetoric, and I proved to the best of my ability that it was an art, that it was useful, that it was a virtue and that its material was all and every subject that might come up for treatment. I shall now discuss its origin, its component parts, and the method to be adopted in handling and forming our conception of each. For most authors of text-books have stopped short of this, indeed Apollodorus confines himself solely to forensic oratory.

I know that those who asked me to write this work were specially interested in that portion on which I am now entering, and which, owing to the necessity of examining a great diversity of opinions, at once forms by far the most difficult section of this work, and also, I fear, may be the least attractive to my readers, since it necessitates a dry exposition of rules.

In other portions of this work I have attempted to introduce a certain amount of ornateness, not, I may say, to advertise my style (if I had wished to do that, I could have chosen a more fertile theme), but in order that I might thus do something to lure our young men to make themselves acquainted with those principles which I regarded as necessary to the study of rhetoric: for I hoped that by giving them something which was not unpleasant to read I might induce a greater readiness to learn those rules which I feared

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might, by the dryness and aridity which must necessarily characterise their exposition, revolt their minds and offend their ears which are nowadays grown somewhat over-sensitive.

Lucretilus has the same object in mind when he states that he has set forth his philosophical system in verse; for you will remember the well known simile which he uses [*](iv. 11. See also i. 936.) :—

  1. And as physicians when they seek to give
  2. A draught of bitter wormwood to a child,
  3. First smear along the edge that rims the cup
  4. The liquid sweets of honey, golden-hued,
and the rest.