Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

Indeed, such is his supremacy that he has scarce left a name to other writers of the new comedy, and has cast them into darkness by the splendour of his own renown. Still, you will find something of value in the other comic poets as well, if you read them in not too critical a spirit; above all, profit may be derived from the study of Philemon, [*]( Philemon of Soli (360–262); Menader of Athens (342– 290). ) who, although it was

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a depraved taste which caused his contemporaries often to prefer him to Menander, has none the less deserved the second place which posterity has been unanimous in awarding him.

If we turn to history, we shall find a number of distinguished writers; but there are two who must undoubtedly be set far above all their rivals: their excellences are different in kind, but have won almost equal praise. Thucydides is compact in texture, terse and ever eager to press forward: Herodotus is pleasant, lucid and diffuse: the former excels in vigour, speeches and the expression of the stronger passions; the latter in charm, conversations and the delineation of the gentler emotions.

Theopompus [*]( Theopompus of Chios, born about 378 B.C., wrote a history of Greece ( Hellenica ) from close of Peloponnesian war to 394 B.C., and a history of Greece in relation to Philip of Macedon ( Philippica ). His master, Isocrates, urged him to write history. ) comes next, and though as a historian he is inferior to the authors just mentioned, his style has a greater resemblance to oratory, which is not surprising, as he was an orator before he was urged to turn to history. Philistus [*]( Philistus of Syracuse, born about 430 B.C., wrote a history of Sicily. ) also deserves special distinction among the crowd of later historians, good though they may have been: he was an imitator of Thucydides, and though far his inferior, was somewhat more lucid. Ephorus, [*]( Ephorus of Cumae, flor. circ. 340 B.C., wrote a universal history. He was a pupil of Isocrates. Cp. II. viii. 11. ) according to Isocrates, needed the spur.

Clitarchus [*]( Clitarchus of Megara wrote a history of Persia and of Alexander, whose contemporary he was. ) has won approval by his talent, but his accuracy has been impugned. Timagenes [*]( Timagenes, a Syrian of the Augustan age, wrote a history of Alexander and his successors. ) was born long after these authors, but deserves our praise for the very fact that he revived the credit of history, the writing of which had fallen into neglect. I have not forgotten Xenophon, but he will find his place among the philosophers.

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There follows a vast army of orators, Athens alone having produced ten remarkable orators [*]( Antiphon, Andocides, Lysias (flor. 403–380), Isocrates (435–338), Isacus, Demosthenes, Aeschines, Lycargus, Hyperides and Dinarchus. ) in the same generation. Of these Dermosthenes is far the greatest: indeed he came to be regarded almost as the sole pattern of oratory. Such is the force and compactness of his language, so muscular his style, so free from tameness and so self-controlled, that you will find nothing in him that is either too much or too little.

The style of Aesehines is fuller and more diffuse, while his lack of restraint gives an appearance of grandeur. But he has more flesh and less muscle. Hyperides has extraordinary charm and point, but is better qualified, not to say more useful, for cases of minor importance.

Lysias belongs to an earlier generation than those whom I have just mentioned. He has subtlety and elegance and, if the orator's sole duty were merely to instruct, it would be impossible to conceive greater perfection. For there is nothing irrelevant or far-fetched in his speeches. None the less I would compare him to a clear spring rather than to a mighty river.

Isocrates was an exponent of a different style of oratory: he is neat and polished and better suited to the fencingschool than to the battlefield. He elaborated all the graces of style, nor was he without justification. For lie had trained himself for the lecture-room and not the law-courts. He is ready in invention, his moral ideals are high and the care which he bestows upon his rhythm is such as to be a positive fault.