Epistulae

mention remote times, and accounts for which I am beholden to old age? Even the present years afford ground of complaint. My father and uncle are at war: we are driven from our kingdom and home, and wander exiles on earth's remotest verge. My savage uncle singly possesses the throne and sceptre; we, a destitute crowd, follow, disconsolate, a helpless old man. You only (how small a part!) remain of a whole nation of brothers. I mourn both for those who perished, and those who gave the fatal stroke. I have not only lost a multitude of brothers, but also a like number of sisters; and both losses equally demand my tears. Lo, even I am reserved to a cruel punishment, because I saved your life! What fate is left for the guilty, when I, who merit only praise, am thus accused? And must I, once the hundredth of a kindred

tribe, suffer death for saving one of so many brothers? But, my dear Lynceus, if you have any regard to the piety of your sister, or any remembrance of her love, and the life she gave you, help me in this extremity; or, if death should set me free before you can arrive, bear privately my breathless frame to the funeral pile, and sprinkle my ashes with unfeigned tears. When you have faithfully performed the last obsequies, engrave upon my tomb this short inscription:

Hypermnestra, an unhappy exile, was, as a reward for her piety, unjustly doomed to that death from which she had saved her brother.

I wish to write more; but my hand fails, disabled by a weight of chains; and ill-boding fears deprive me of the power of reflection.

AT the sight of this letter written with an anxious hand, will you not instantly know the characters to be mine? Or must even the name of the unhappy writer be added, to prove the person by whom the few lines are sent? You may perhaps wonder why I address you in alternate measures, when lyric numbers so much better suit my genius. But unsuccessful love complains in melancholy notes, and elegy is the most proper for the expression of my woe. No harp can serve to paint my flowing tears. I burn like a ripened field of corn, when driving east-winds spread the catching flames. Phaon honors the distant fields of burning Ætna, while flames fierce as those of Ætna prey upon my heart. I no more take pleasure in forming my numbers to the tuneful strings: music and poetry are the employment of a mind at ease. The dames of Pyrrha, Methymna, and the other cities of Lesbos, please no more. Anactorie and fair Cydno have