De Rerum Natura
Lucretius
Lucretius. De Rerum Natura. William Ellery Leonard. E. P. Dutton. 1916.
- Well learn from this: mainly, because we see
- Even 'mongst visible objects many be
- That send forth bodies, loosely some diffused-
- Like smoke from oaken logs and heat from fires-
- And some more interwoven and condensed-
- As when the locusts in the summertime
- Put off their glossy tunics, or when calves
- At birth drop membranes from their body's surface,
- Or when, again, the slippery serpent doffs
- Its vestments 'mongst the thorns- for oft we see
- The breres augmented with their flying spoils:
- Since such takes place, 'tis likewise certain too
- That tenuous images from things are sent,
- From off the utmost outside of the things.
- For why those kinds should drop and part from things,
- Rather than others tenuous and thin,
- No power has man to open mouth to tell;
- Especially, since on outsides of things
- Are bodies many and minute which could,
- In the same order which they had before,
- And with the figure of their form preserved,
- Be thrown abroad, and much more swiftly too,
- Being less subject to impediments,
- As few in number and placed along the front.
- For truly many things we see discharge
- Their stuff at large, not only from their cores
- Deep-set within, as we have said above,
- But from their surfaces at times no less-
- Their very colours too. And commonly
- The awnings, saffron, red and dusky blue,
- Stretched overhead in mighty theatres,
- Upon their poles and cross-beams fluttering,
- Have such an action quite; for there they dye
- And make to undulate with their every hue
- The circled throng below, and all the stage,
- And rich attire in the patrician seats.
- And ever the more the theatre's dark walls
- Around them shut, the more all things within
- Laugh in the bright suffusion of strange glints,
- The daylight being withdrawn. And therefore, since
- The canvas hangings thus discharge their dye
- From off their surface, things in general must
- Likewise their tenuous effigies discharge,
- Because in either case they are off-thrown
- From off the surface. So there are indeed
- Such certain prints and vestiges of forms
- Which flit around, of subtlest texture made,
- Invisible, when separate, each and one.
- Again, all odour, smoke, and heat, and such
- Streams out of things diffusedly, because,
- Whilst coming from the deeps of body forth
- And rising out, along their bending path
- They're torn asunder, nor have gateways straight
- Wherethrough to mass themselves and struggle abroad.
- But contrariwise, when such a tenuous film
- Of outside colour is thrown off, there's naught
- Can rend it, since 'tis placed along the front
- Ready to hand. Lastly those images
- Which to our eyes in mirrors do appear,
- In water, or in any shining surface,
- Must be, since furnished with like look of things,
- Fashioned from images of things sent out.
- There are, then, tenuous effigies of forms,
- Like unto them, which no one can divine
- When taken singly, which do yet give back,
- When by continued and recurrent discharge
- Expelled, a picture from the mirrors' plane.
- Nor otherwise, it seems, can they be kept
- So well conserved that thus be given back
- Figures so like each object.