De Rerum Natura
Lucretius
Lucretius. De Rerum Natura. William Ellery Leonard. E. P. Dutton. 1916.
- Well learn from this: mainly, because we see
- Even 'mongst visible objects many be
- That send forth bodies, loosely some diffused-
- Like smoke from oaken logs and heat from fires-
- And some more interwoven and condensed-
- As when the locusts in the summertime
- Put off their glossy tunics, or when calves
- At birth drop membranes from their body's surface,
- Or when, again, the slippery serpent doffs
- Its vestments 'mongst the thorns- for oft we see
- The breres augmented with their flying spoils:
- Since such takes place, 'tis likewise certain too
- That tenuous images from things are sent,
- From off the utmost outside of the things.
- For why those kinds should drop and part from things,
- Rather than others tenuous and thin,
- No power has man to open mouth to tell;
- Especially, since on outsides of things
- Are bodies many and minute which could,
- In the same order which they had before,
- And with the figure of their form preserved,
- Be thrown abroad, and much more swiftly too,
- Being less subject to impediments,
- As few in number and placed along the front.
- For truly many things we see discharge
- Their stuff at large, not only from their cores
- Deep-set within, as we have said above,
- But from their surfaces at times no less-
- Their very colours too. And commonly
- The awnings, saffron, red and dusky blue,
- Stretched overhead in mighty theatres,
- Upon their poles and cross-beams fluttering,
- Have such an action quite; for there they dye
- And make to undulate with their every hue
- The circled throng below, and all the stage,
- And rich attire in the patrician seats.
- And ever the more the theatre's dark walls
- Around them shut, the more all things within
- Laugh in the bright suffusion of strange glints,
- The daylight being withdrawn. And therefore, since
- The canvas hangings thus discharge their dye
- From off their surface, things in general must
- Likewise their tenuous effigies discharge,
- Because in either case they are off-thrown
- From off the surface. So there are indeed
- Such certain prints and vestiges of forms
- Which flit around, of subtlest texture made,
- Invisible, when separate, each and one.
- Again, all odour, smoke, and heat, and such
- Streams out of things diffusedly, because,
- Whilst coming from the deeps of body forth
- And rising out, along their bending path
- They're torn asunder, nor have gateways straight
- Wherethrough to mass themselves and struggle abroad.
- But contrariwise, when such a tenuous film
- Of outside colour is thrown off, there's naught
- Can rend it, since 'tis placed along the front
- Ready to hand. Lastly those images
- Which to our eyes in mirrors do appear,
- In water, or in any shining surface,
- Must be, since furnished with like look of things,
- Fashioned from images of things sent out.
- There are, then, tenuous effigies of forms,
- Like unto them, which no one can divine
- When taken singly, which do yet give back,
- When by continued and recurrent discharge
- Expelled, a picture from the mirrors' plane.
- Nor otherwise, it seems, can they be kept
- So well conserved that thus be given back
- Figures so like each object.
- Now then, learn
- How tenuous is the nature of an image.
- And in the first place, since primordials be
- So far beneath our senses, and much less
- E'en than those objects which begin to grow
- Too small for eyes to note, learn now in few
- How nice are the beginnings of all things-
- That this, too, I may yet confirm in proof:
- First, living creatures are sometimes so small
- That even their third part can nowise be seen;
- Judge, then, the size of any inward organ-
- What of their sphered heart, their eyes, their limbs,
- The skeleton?- How tiny thus they are!
- And what besides of those first particles
- Whence soul and mind must fashioned be?- Seest not
- How nice and how minute? Besides, whatever
- Exhales from out its body a sharp smell-
- The nauseous absinth, or the panacea,
- Strong southernwood, or bitter centaury-
- If never so lightly with thy [fingers] twain
- Perchance [thou touch] a one of them
- . . . . . .
- Then why not rather know that images
- Flit hither and thither, many, in many modes,
- Bodiless and invisible?
- But lest
- Haply thou holdest that those images
- Which come from objects are the sole that flit,
- Others indeed there be of own accord
- Begot, self-formed in earth's aery skies,
- Which, moulded to innumerable shapes,
- Are borne aloft, and, fluid as they are,
- Cease not to change appearance and to turn
- Into new outlines of all sorts of forms;
- As we behold the clouds grow thick on high
- And smirch the serene vision of the world,
- Stroking the air with motions. For oft are seen
- The giants' faces flying far along
- And trailing a spread of shadow; and at times
- The mighty mountains and mountain-sundered rocks
- Going before and crossing on the sun,
- Whereafter a monstrous beast dragging amain
- And leading in the other thunderheads.