Epitome
Apollodorus
Apollodorus. The Library. Frazer, James George, Sir, editor. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd. 1921
But some say that Hermes, in obedience to the will of Zeus, stole Helen and carried her to Egypt, and gave her to Proteus, king of the Egyptians, to guard, and that Alexander repaired to Troy with a phantom of Helen fashioned out of clouds.[*](Compare Eur. Hel. 31-51; Eur. Hel. 582ff.; Eur. Hel. 669ff.; Eur. El. 1280ff. In the Helen the dramatist says that Hera, angry with Paris for preferring Aphrodite to her, fashioned a phantom Helen which he wedded, while the real Helen was transported by Hermes to Egypt and committed to the care of Proteus. In the Electra the poet says that it was Zeus who sent a phantom Helen to Troy, in order to stir up strife and provoke bloodshed among men. A different account is given by Hdt. 2.112-120. According to him, Paris carried the real Helen to Egypt, but there king Proteus, indignant at the crime of which Paris had been guilty, banished him from Egypt and detained Helen in safekeeping until her true husband, Menelaus, came and fetched her away. Compare Philostratus, Vit. Apollon. iv.16; Tzetzes, Antehomerica 147ff. Later writers accepted this view, adding that instead of the real Helen, whom he kept, Proteus conjured up by magic art a phantom Helen, which he gave to Paris to carry away with him to Troy. See Tzetzes, Scholiast on Lycophron 113; Serv. Verg. A. 1.651 and ii.592. So far as we know, the poet Stesichorus in the sixth century before our era was the first to broach the theory that Helen at Troy, for whom the Greeks and Trojans fought and died, was a mere wraith, while her true self was far away, whether at home in Sparta or with Proteus in Egypt; for there is nothing to show whether Stesichorus shared the opinion that Paris had spirited her away to the East before he returned, with or without her, to Troy. This view the poet propounded by way of an apology to Helen for the evil he had spoken of her in a former poem; for having lost the sight of his eyes he ascribed the loss to the vengeance of the heroine, and sought to propitiate her by formally retracting all the scandals he had bruited about concerning her. See Plat. Phaedrus 243a-b; Plat. Rep. 9.586c; Isoc. 10.64; Paus. 3.19.13; Poetae Lyrici Graeci, ed. Th. Bergk, iii.980ff. )
When Menelaus was aware of the rape, he came to Agamemnon at Mycenae, and begged him to muster an army against Troy and to raise levies in Greece. And he, sending a herald to each of the kings, reminded them of the oaths which they had sworn,[*](As to these oaths, see above, Apollod. 3.10.9.) and warned them to look to the safety each of his own wife, saying that the affront had been offered equally to the whole of Greece. And while many were eager to join in the expedition, some repaired also to Ulysses in Ithaca.
But he, not wishing to go to the war, feigned madness. However, Palamedes, son of Nauplius, proved his madness to be fictitious; and when Ulysses pretended to rave, Palamedes followed him, and snatching Telemachus from Penelope's bosom, drew his sword as if he would kill him. And in his fear for the child Ulysses confessed that his madness was pretended, and he went to the war.[*](As to the madness which Ulysses feigned in order to escape going to the Trojan war, see Proclus in Epicorum Graecorum Fragmenta, ed. G. Kinkel, p. 18; Lucian, De domo 30; Philostratus, Her. xi.2; Tzetzes, Scholiast on Lycophron 818; Cicero, De officiis iii.26.97; Hyginus, Fab. 95; Serv. Verg. A. 2.81; Lactantius Placidus on Statius, Achill. i.93; Scriptores rerum mythicarum Latini, ed. Bode, i. pp. 12, 140ff. (First Vatican Mythographer 35; Second Vatican Mythographer 200). The usual story seems to have been that to support his pretence of insanity Ulysses yoked an ox and a horse or an ass to the plough and sowed salt. While he was busy fertilizing the fields in this fashion, the Greek envoys arrived, and Palamedes, seeing through the deception, laid the infant son of Ulysses in front of the plough, whereupon the father at once checked the plough and betrayed his sanity. However, Lucian agrees with Apollodorus in saying that Palamedes threatened the child with his sword, though at the same time, by mentioning the unlike animals yoked together, he shows that he had the scene of the ploughing in his mind. His description purports to be based on a picture, probably a famous picture of the scene which was still exhibited at Ephesus in the time of Pliny, Nat. Hist. xxxv.129. Sophocles wrote a play on the subject, called The Mad Ulysses. See The Fragments of Sophocles, ed. A. C. Pearson, vol. ii. pp. 115ff. )
Having taken a Phrygian prisoner, Ulysses compelled him to write a letter of treasonable purport ostensibly sent by Priam to Palamedes; and having buried gold in the quarters of Palamedes, he dropped the letter in the camp. Agamemnon read the letter, found the gold, and delivered up Palamedes to the allies to be stoned as a traitor.[*](The Machiavellian device by which the crafty Ulysses revenged himself on Palamedes for forcing him to go to the war is related more fully by a Scholiast on Eur. Or. 432 and Hyginus, Fab. 105. According to the Scholiast, a servant of Palamedes was bribed to secrete the forged letter and the gold under his master's bed, where they were discovered and treated as damning evidence of treason. According to Hyginus, Ulysses had recourse to a still more elaborate stratagem in order to bury the gold in the earth under the tent of Palamedes. Compare Serv. Verg. A. 2.81; Lactantius Placidus on Statius, Achill. i.93; Scriptores rerum mythicarum Latini, ed. Bode, i. pp. 12, 140ff. (First Vatican Mythographer 35; Second Vatican Mythographer 200). An entirely different account of the plot against Palamedes is told by Dictys Cretensis ii.15. He says that Ulysses and Diomede induced him to descend into a well, and then buried him under rocks which they hurled down on the top of him.)