Description of Greece

In Thespiae is a bronze image of Zeus Saviour. They say about it that when a dragon once was devastating their city, the god commanded that every year one of their youths, upon whom the lot fell, should be offered to the monster. Now the names of those who perished they say that they do not remember. But when the lot fell on Cleostratus, his lover Menestratus, they say, devised a trick.

He had made a bronze breastplate, with a fish-hook, the point turned outwards, upon each of its plates. Clad in this breastplate he gave himself up, of his own free will, to the dragon, convinced that having done so he would, though destroyed himself, prove the destroyer of the monster. This is why the Zeus has been surnamed Saviour. The image of Dionysus, and also that of Fortune, and in another place that of Health . . . But the Athena Worker, as well as Wealth, who stands beside her, was made by. . . .

Of the gods the Thespians have from the beginning honored Love most, and they have a very ancient image of him, an unwrought stone. Who established among the Thespians the custom of worshipping Love more than any other god I do not know. He is worshipped equally by the people of Parium on the Hellespont, who were originally colonists from Erythrae in Ionia, but to-day are subject to the Romans.

Most men consider Love to be the youngest of the gods and the son of Aphrodite. But Olen the Lycian, who composed the oldest Greek hymns, says in a hymn to Eileithyia that she was the mother of Love. Later than Olen, both Pamphos and Orpheus wrote hexameter verse, and composed poems on Love, in order that they might be among those sung by the Lycomidae to accompany the ritual. I read them after conversation with a Torchbearer. Of these things I will make no further mention. Hesiod,[*](Hes. Th. 116 foll.) or he who wrote the Theogony fathered on Hesiod, writes, I know, that Chaos was born first, and after Chaos, Earth, Tartarus and Love.

Sappho of Lesbos wrote many poems about Love, but they are not consistent. Later on Lysippus made a bronze Love for the Thespians, and previously Praxiteles one of Pentelic marble. The story of Phryne and the trick she played on Praxiteles I have related in another place.[*](See Paus. 1.20.1.) The first to remove the image of Love, it is said, was Gaius the Roman Emperor; Claudius, they say, sent it back to Thespiae, but Nero carried it away a second time.

At Rome the image perished by fire. Of the pair who sinned against the god, Gaius was killed by a private soldier, just as he was giving the password; he had made the soldier very angry by always giving the same password with a covert sneer. The other, Nero, in addition to his violence to his mother, committed accursed and hateful crimes against his wedded wives. The modern Love at Thespiae was made by the Athenian Menodorus, who copied the work of Praxiteles.

Here too are statues made by Praxiteles himself, one of Aphrodite and one of Phryne, both Phryne and the goddess being of stone. Elsewhere too is a sanctuary of Black Aphrodite, with a theater and a market-place, well worth seeing. Here is set up Hesiod in bronze. Not far from the market-place is a Victory of bronze and a small temple of the Muses. In it are small images made of stone.