Legatio Ad Gaium

And he looked upon himself as being in this respect superior to all of these beings, because each of them while he had his own peculiar honours had no claim to those which belonged to the others, but he in his envious ambition appropriated all the honours of the whole body of demigods at once, or I should rather say, appropriated the demigods themselves; transforming himself not into the triple-bodied Geryon, so as to attract all beholders by the multitude of his bodies; but, what was the most extraordinary thing of all, changing and transforming the essence of one body into every variety of form and

figure, like the Egyptian Proteus, whom Homer has represented as being susceptible of every variety of transformation, into all the elements, and into the animals, and plants, which belong to the different elements. [*](The passage in Homer is to be found at Odyssey iv. 363. It is imitated more concisely by Virgil, who makes Cyrene tell Aristaeus— Verum ubi correptum manibus vinclisque tenebis Turn variae eludent species atque ora ferarum; Fiet enim subito sus horridus atraque tigris Squamosusque draco et fulva cervice Icaena Aut acrem flammae sonitum dabit, atque ita vinclis Excidet, aut in aquas tenues dilapsus abibit.-Georg. iv. 410. Which is thus translated by "Instant he wears, elusive of the rape, The mimic force of every savage shape: Or glides with liquid lapse a murm’ring stream, Or wrapt in flame, he glows at every limb. Yet still retentive, with redoubled might Thro’ each vain passive form constrains his flight. But when, his native shape resumed, he stands Patient of conquest, and your muse demands; The cause that urg’d the bold attempt declare, And soothe the vanquish’d with a victor’s prayer. The bands relaxed, implore the seer to say What godhead interdicts the wat’ry way." )