Cimon

Plutarch

Plutarch. Plutarch's Lives, Vol. II. Perrin, Bernadotte, translator. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1914.

And Stesimbrotus the Thasian, who was of about Cimon’s time, says that he acquired no literary education, nor any other liberal and distinctively Hellenic accomplishment; that he lacked entirely the Attic cleverness and fluency of speech; that in his outward bearing there was much nobility and truthfulness; that the fashion of the man’s spirit was rather Peloponnesian,

  1. Plain, unadorned, in a great crisis brave and true,
as Euripides says of Heracles,[*](Nauck, Trag. Graec. Frag., 473.), a citation which we may add to what Stesimbrotus wrote.

While he was still a youth he was accused of improper intercourse with his sister. And indeed in other cases too they say that Elpinice was not very decorous, but that she had improper relations also with Polygnotus the painter, and that it was for this reason that, in the Peisianacteum, as it was then called, but now the Painted Colonnade, when he was painting the Trojan women, he made the features of Laodice a portrait of Elpinice.

Now Polygnotus was not a mere artisan, and did not paint the stoa for a contract price, but gratis, out of zeal for the welfare of the city, as the historians relate, and as Melanthius the poet testifies after this fashion:—

  1. He at his own lavish outlay the gods’ great fanes, and the market
  2. Named Cecropia, adorned; demigods’ valor his theme.